ACEH
Islam first entered Southeast Asia through Aceh in the 8th century. The
first Islamic Kingdom of Peureulak was established around 850 AD in what is
today East Aceh district with Banda Khalifah as its capital. Then follows
Samudra Pasai (from which the name Sumatara derives) in what is today North
Aceh district, which was recorded by Marco Polo and Ibn Batutah during the
reign of Sultan Malik uz Zahir. The Kingdom of Aceh was established initially as a small Islamic kingdom
in what is today Banda Aceh during the 12th century AD. During its golden
era, its territory and political influence expanded as far as Satun in southern
Thailand, Johor in Malay Peninsula, and Siak in what is today Riau province.
From the beginning of the 16th century, the Sultanate of Aceh was involved in
an almost continuous power struggle first with Portugal, then, from the 18th
century, against British and Dutch colonial interests. At the end of the 18th
century, Aceh had to give up its traditional territory of Kedah and Pinang on
the Malay Peninsula to the British. By the early nineteenth century, however, Aceh had become an increasingly
influential power due to its strategic location for controlling regional
trade. Under the Anglo-Dutch Treaty of 1824 the British ceded their colonial
possessions on Sumatra to the Dutch. In the treaty, the British described
Aceh as one of their possessions, although they had no actual control over
the sultanate. Initially, under the agreement the Dutch agreed to respect
Aceh's independence. In 1871, however, the British dropped previous
opposition to a Dutch invasion of Aceh, possibly to prevent France or the United
States from gaining a foothold in the region. Although neither the Dutch nor
the British knew the specifics, there had been rumors since the 1850s that
Aceh had been in communication with rulers of France and of the Ottoman
Empire. The Dutch colonial government declared war on Aceh on 26 March 1873; the
apparent immediate trigger for their invasion being discussions between
representatives of Aceh and the United States in Singapore during early 1873.
After a thirty-years struggle by 1904 most of Aceh was under Dutch
control, and had an indigenous government that cooperated with the colonial
state. Estimated total casualties of the war on the Aceh side range from
50,000 to 100,000 dead, and over a million wounded. Colonial influence in the remote highland areas was never substantial,
however, and limited guerrilla resistance remained. Lead mostly by the
religious ulema, intermittent fighting continued until about 1910, and
parts of the province were still not pacified when the Dutch Indies became
independent Indonesia following the end of the Japanese occupation of
Indonesia. Independence During the Indonesian National Revolution after World War II, when the
Dutch military attempted to regain control of its former colony, Dutch forces
did not attempt to invade Aceh. Upon independence, Indonesian troops were
dispatched to annex the region, causing resentment over what some Acehnese
viewed as foreign occupation by forces from Java. From then there were
periodic armed conflicts between the Indonesian military and local forces
fighting for greater autonomy and independence. In 1959 the Indonesian government yielded in part and gave Aceh a
"special territory" (daerah istimewa) status, giving it a
greater degree of autonomy from the central government in Jakarta than most
other regions of Indonesia have. [1] |
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DAERAH ISTIMEWA ACEH PROVINSI NANGGROE ACEH DARESSALAM |
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The coat of arms or emblem of the province of Aceh is a five-sided white shield, point upwards,
rising from the base a green silhouette of a chimney of a factory and two
cupola´s of a mosque, charged with a golden feather per pale and an open book
in base. In chief are two golden swords and hanging therefrom are two scales
of a balance. The chimney is surrounded by a garland of cotton, pepper and
rice. In base is the motto PANCACITA (also: PANTJATJITA
in ancient spelling). â The five sides of the shield and the motto
refer to the Pancacita, the five principles of the Indonesian state
philosophy. ·
The
chimneyshaft symbolizes industrialisation ·
The
cotton symbolizes the main trade crop ·
The pepper
symbolizes the wealth of the past ·
The rice
symbolizes the staple food of the population Together they symbolize the prosperity
of the province. ·
The
mosque-domes symbolize the harmony caused by Islam ·
The swords
symbolize the heroism of the struggles in the past ·
The
balance symbolizes justice ·
The pen
and book symbolize the welfare of the people The
tinctures symbolize: ·
White symbolizes purity ·
Gold symbolizes glory ·
Green symbolizes welfare and prosperity ð See illustration in the head of this essay This
emblem was probably adopted when the province was granted farreaching
autonomy in 1959. Obsolete version with ancient spelling See
also: Lambang
Aceh |
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ARMED FORCES |
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Kodam
Iskandar Muda, oversees Aceh province by Aceh special autonomy law.
Previously Aceh was under Kodam I / Bukit Barisan. |
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Aceh Shield Brass, Æ 43 cm
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No Acehnese
prince ever used any device which was comparable with the heraldic coats of
arms which were common among European princes of the time. Instead they used
seals which had both the function of a personal device and had a genealogical
connotation by mentioning the predecessors legitimizing by descent the power
of the governing prince. In that sense the seals of the muslim princes were
as much of a family device as the family-arms of their christian
counterparts. Like many
other prices in the Indonesian archipelago the princes of Aceh had seals with
legends in arabic and without any other image. Prints of these seals were
made by rubbing soot on the matrix-seal and pressing it on the document. Only
a few of these prints have been preserved in European collections. |
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13. S. Ala ad din Riajat Shah |
1589-1604 |
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1) 1601 Print of the seal of
Sultan Ala ad din Riajat Shah
L.: as Soltan Ala’ud-din bin Firman Shah. (After the original in the National
Archives in The Hague. [2]) 2) 1602 An Acehnese trading permit
for an English captain. Bodleian Lib. MS Douce Or.e.4. Print of the seal of
the Sultan. [3]) |
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30. S. Ala ad din Djauhar al alam Shah |
1795-1815 |
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1811 Seal of Sultan - , nine-fold
seal called Cab Sikureng / Cap Halintar. British Library, MSS
Eur. D.742/1, f. 176r.[4]) |
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35. S. Tuanku Muhamat Dawot Shah |
1873-1903 |
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1879 Cab Sikureng of the sultan pretender Tuanku Muhamat Dawot Shah. Nine-fold seal.
Large circle surrounded by 8 smaller ones. Legend: May Allah give good guidance to His Majesty
Sultan Tuanku Muhamat Dawot Shah
Djohan, the Blessed, the Shadow of Allah in this world 1296. On the smaller
circles: 1. Sultan
Sajjidi al-Mukammal; 2. Sultan Meukuta Alam; 3. Sultan Tadjul-alam; 4. Sultan Ahmat Shah; 5. Sultan
Djuhan Shah; 6. Sultan Mahmut Shah; 7. Sultan Djauhar Alam Shah; 8. Sultan
Mançur Shah. [5]) Seven- / fourteen-pointed seal of
the sultan pretender. Legend: This is His Majesty Sultan Allaeddin Muhammad
Dawot Shah Djuhan, the Blessed, the Shadow of Allah in this World. On the
rim: Allah, His Word is the Truth and to Him is the Kingdom.[6]) |
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As for
the flags and banners of Aceh, we may discern from the few data, that there
were at least four or five categories. The attributions are mainly
hypothetical as no written sources are available. 1. The standard of the sultan. This was not a personal ensign
but a banner that symbolized the function of “sultan of the Acenese”.
Probably the banner that was captured from the kraton in 1874, was
such a standard. 2. The
flag of the Government or State Flag. Also referred
to as the flag of the sultan. This
flag showed a sun and a crescent or moon, the symbols of the realm of Aceh
and its government. This flag was reminescent of the flags used in Egypt as a
government flag and a distinguishing flag for the rear-admirals of the fleet.
However, instead of the five- or six-pointed star on these flags we see
clearly a sun on the Acenese flag. The version of the Acenese flag with a
six-pointed star that appears in the work of Rühl, may be a flag that was
originally granted by the Ottoman sultan to the ruling sultan of Aceh who
could have had a position in the Ottoman hierarchy comparable with the sharif
of Mecca and the beyler-bey of Bosna who used like flags. We may
suppose that, when the diplomatic relations with the Porte had to be denied,
the star was changed into the sun that symbolized a complete sovereignty of
the sultan. 3. The War Flag. This was the flag that literally can be
consideredto be the “coat of arms” of Aceh as it was the symbol of the
Acenese army. Two versions are preserved and documented. The first with a
single sword and a white disc that may be a moon in the Chinese tradition. In
this flag the armed power is symbolized by the sword that may be identified
as the Sword of Islam.
When the disc is really intended as a moon, the flag symbolizes “The armed
power of the State”. This flag has to be compared with the “Great Army
Banner” of the Ottoman Empire that showed the sword of Islam between symbols
of state of the Ottoman Empire (a sun-and-crescent). A second version occurs during the reign of Ibrahim
Mansur Shah (1857-1873). In this version there are two swords in saltire and
in chief the white disc or moon. This flag is in line with an Indonesian
tradition: the flag of “Java” being
yellow with two blue swords in saltire, and the flag of Bantam: yellow, two
white swords in saltire. The raja of Trumon followed: black, two white swords
in saltire and in chief a moon-disc. 4. Also
a merchant flag is given: a monochromatic red flag, common for many muslim
seafaring countries. |
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32. S. Suleman Ali Iskandar Shah |
1836-1857 |
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1840 Banner
of Al-Iskander
Rijksmuseum Amsterdam Inv. nr. ng-1977-2789-2. Red, a white sword and roundle. On
the flag quotes from the Quran and curses adressed to the Dutch. Cotton, 125 Î 280 cm. Captured in 1840. (Transferred 1977 by Museum Bronbeek, Arnhem). The Raja
of Trumon (Westcoast of Aceh) had a like flag: Black, a white breadth at the
mast-end and a white sword per fess with a disc in chief. |
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33. S. Ibrahim Mansur Shah |
1857-1870 |
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Reconstructions: Roberto Breschi 1859/’65 Left: Flag of the sultan: Red, a white
crescent and a eight-pointed star Right: Red, two white swords in saltire, hilts at the mast, in chief a white
disc.[7] |
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35. S. Tuanku Muhamat Dawot Shah |
1873-1903 |
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Rijksmuseum Amsterdam inv. n° NG 83. 1874 Flag: At the mast-end a white
breadth, the fly a red triangle with a bordure of yellow flames. Cotton, 195 Î 227 cm. Captured at the conquest of the kraton (royal palace) of Aceh on the 24th of January 1874.[8]) |
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1877 Banner with sun and moon Amsterdam, Rijksmuseum inv. nr. ng-1977-279-3. The banner is (now) yellow with a
red-blue-white sun with sixteen wavy rays of blue and red alternately, and a
white and red crescent encircled by a blue border This banner was captured by the
Netherlands Indies Army (KNIL) on the 28th of January 1877 at the conquest of
the mosque and school of Lambadak, about 800 metres inland from the
North-eastern coast of Aceh Other flags captured at the same occasion are also in the Rijksmuseum: inv. nrs. ng-1977-279-3 and ng-1977-279-5.[9] |
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Districts: 1. Groot Atjeh; 2. Noordkust
van Atjeh; 3. Oostkust van Atjeh; 4. Westkust van Atjeh (Tempat Tuan*,
Trumon*) ; 5. Alaslanden. The palace of the governor of Atjeh en Onderhoorigheden in Kotaradja
(Banda Aceh). Showing
the achievement of the Kingdom of the Netherlands. (Photo
coll KITV nr 60025421) No coat
of arms of Kotaraja, the modern Bandar Aceh, or of the Gouvernement Atjeh en
Onderhoorigheden were ever adopted. Instead the coat of arms of the
Netherlands Indies government, which was the coat of arms of the Kingdom of the Netherlands
was used. The flag of the (first) Dutch governors of Aceh consisted of the Dutch tricolore augmented with two white balls in the red at the mast-end. (From:
http://www.collectie.legermuseum.nl/str.hoefer/strategion/i008341.html) |
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The Korps Marechaussee te Voet (Marechaussee Infantry Corps) which existed from 1890 until 1942 was the answer of the KNIL to the Acenese guerilla warfare. The corps specialised in counter-guerilla but it would take a long time before the last guerillas were eliminated. At the occasion of its 40 years jubilee the Corps received its own banner, decorated with the cross of the Militaire Willems-Orde 4th class. Photo H.d.V. Banner of the Korps
Marechaussee te Voet, 1930 Coll. Museum Bronbeek,
Arnhem |
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The Flag |
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For this
flag of the Aceh Sumatera National Liberation Front and information
about the movement, see their website GAM. For more
information about this flag and a commentary go to: FOTW Flags of the
World Aceh. |
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The Achievement |
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The leader of the Acheh Sumatera National Liberation Front was Tengku Hasan di Tiro († 2010). He was a grandson of the last sultan of Aceh. On 11 December 1976 he proclaimed an independent state of Aceh. In 1980 Hasan di Tiro took refuge in Sweden and from then on was the head of the Aceh-government in exile. An achievement for the new state was designed by himself. It was described and explained by the first secretary of state in the same year. [10] It is: Arms: Tierced per pale Azure , Or and Sable, two rincong in saltire Argent. Crest: A crescent and star Or Supporters: Dexter a lion guardant and sinister a buraq Or. Pending emblem: A steering wheel charged with the arab letter T. Motto: HIDUP BERSARE MATI BESAJAN (Great in Life, United in Death) in arab lettering on a yellow scroll. The Shield The crossed rincong symbolize national defense. The meaning of the colors remains unexplained. A Rincong is the Acehnese dagger used during the Acehnese wars. At present the rincong is popular as a part of the traditional dress. Rincong are made of metal, ivory and wood (kayu kemuning) or buffalo horn. Somertimes they are decorated with gold or silver ornaments. The shape of the rincong spells the invocation ‘Bismillahirrahmanirrahim’ (in the name of Allah, the merciful and compassionate) as follows: - The hilt of is in the shape of a ‘ba’. - The decoration at the base of the hilt is in the shape of a ‘sin’. - The shape of the blade is in the shape of a ‘mim’. - The shape of the metal parts at the top of the blade is in the shape of a ‘lam’. - The base of the scabbard takes the shape of a ‘ha’. This invocation is often repeated on the blade The Crescent and Star. Symbolizes the Islamic State. The Crescent and Star is of Ottoman origin and is the emblem of a governor of a sançak or vassal state of the Ottoman Empire. Outside the Ottoman Empire it came to be the symbol of a Muslim State. The Lion The crowned lion symbolizes
Sovereign Aceh: ‘It has a Territory,
it has a Population, it has a Head of state and it has a Constitution’. The Buraq Symbolizes speed,
beauty, loyality and global communication and the principle ‘think global,
act local'. Al-Buraq is the
winged creature who reputedly carried the Prophet on his night journey from
Mecca to Jerusalem which is mentioned in the first verse of surah 17
of the Qur’an, but the details of the al-Buraq legend were not consolidated
until the formulation of the hadith literature. The establihed
representation of al-Buraq usually is a winged horse with a crowned human
head, often of a young woman. The inspiration for this was drawn from many
pre-Islamic representative traditions in western Asia, including the Centaur
of Babylon, the ‘man-headed bulls’of Assyria and the Sphinx. It was a
powerful image among Sufis in Iran, but also of particular popularity in both
West Africa and Indonesia. The Pending Emblem The steering wheel is charged with the letter ‘T’ of Tuan meaning ‘Lord’. The symbol means “the Direction of Tengku (Hasan di Tiro)”. ð See my
reconstruction in the head of this section. For the original see note 10] |
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© Hubert de Vries 2006-07-06
Updated 2009-08-13 / 2010-10-29 /
2011-03-03
[1] ) After Wikipedia.
[2]) Rouffaer, G.P.: De
Hindostansche Oorsprong van het „Negenvoudig” Sultans-zegel van Atjeh. In:
Bijdragen tot de Taal- Land- en Volkenkunde van Nederlandsch Indië. Dl. LIX,
1906 afl. 3 & 4. pp. 1 e.v. Pl. I.4,
p. 379.
[3] ) Teh Gallop, Annabel & Bernard
Arps: Golden Letters / Surat Emas.
London & Jakarta, 1991, n° 2.
[4] ) The Gallop op. cit. n° 25.
[5]
) Snouck Hugronje, C.: De Atjehers. Batavia, 1893-1895. Pp. 136,
199-200.
[6] ) Snouck Hugronje, op. cit. p. 201.
[7] ) After: 1. Carte des Pavillons, en usage ches les différents peuples des
Indes-Orientales Neerlandaises, 1865. 2. Rühl, Dirk: Vlaggen van
den Oost-Indischen Archipel (1600-1942). In: Jaarboek van het Centraal Bureau voor
Genealogie. Dl. VI, 1952. pp. 136-148.
[8] ) Brandhof, Marijke van den: Vlaggen, vaandels & Standaarden van het Rijksmuseum. Amsterdam, 1977. Nr. 206.
[9] ) Schrooten, Marion: Negentiende-eeuwse Indonesische vlaggen uit het Rijksmuseum (afkomstig uit de collectie van museum Bronbeek). Stageverslag, 1992. pp. 70-71.
[10]) See: http://atjehmerdehka.com/acheh.aspx