AWADH
OUDH
Awadh was a
very fertile and prosperous province of northern India (modern Uttar Pradesh)
with a very high density of population. The name Awadh is derived from the
word Ayodhya, capital of Lord Rama, the legendary king and hero of the
Ramayana epic. Awadh was an important province of the Mughal empire. In 1720,
Saadat Khan, an adventurer and merchant was appointed as a Subhedar
(Governor) by the Mughal emperor Muhammad Shah. In 1732 his successor
established a hereditary polity under Mughal sovereignty in Awadh. Gradually
Awadh became an independent kingdom as the power of the Mughals diminished. The
opulence in the courts of the Nawabs (kings of Awadh) and their prosperity
were noticed by the British East India Company. This resulted in their direct
interference in internal political matters of Awadh. In 1815, Marquis
Hastings of the East India Company persuaded the then ruling Nawab to become
an independent king which he did on 8 of October 1819. English armies had defeated the Nawab of
Awadh already in the battle of Buxor in 1764 and this started a long process
of ceding territories, signing unfavourable treaties and eventually complete
loss of power. Wajid Ali Shah was the last Nawab of Awadh. In 1856, his
kingdom was annexed by Dalhousie, Governor General of the East India Company
on the grounds of internal misrule. It was in Awadh where the first great
revolt of Indian Independence started in 1857 AD. |
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The rulers of
Awadh bore the title of Nawab. From 1819 they bore the title of Padshah-e
Awadh, Shah-e Zaman.[1] |
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No
emblems symbolizing the state, the ruler or the empire from the time of the
early Nawabs of Awadh are known. On portraits of them they are sumptuously
dressed in Indian styled attires with headdresses of different kinds. As there
seem not to be any pictures of the campaigns of the Nawabs against the
British and other enemies, we also do not know anything about the standards
and banners used and consequently nothing about the military symbolism,
heraldry, of Awadh.. Royal
symbols in the western sense of the word appeared in Awadh from the beginning
of the nineteenth century. It seems that they were for a large part designed
by a British artist called Robert Home, who was responsable for the design of
the coronation robes in 1819. [2] He was thoroughly inspired
by the European Empire style of the time. Nevertheless, the royal
achievements incorporate many Indian and Buddhist symbols, put together in a
way borrowed from European heraldry. |
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The achievement of Awadh in its most extended
form, as illustrated above is: Emblem: A katar point downwards
between two matsya (fishes). Supporters: Two tigers with banners. Crown: A sun radiant, charged with an imperial
crown and a triple necklace, upheld by two angels (dewa) with fans (morchhal). Crest: A royal umbrella Garland: An anchor per pale and a garland
of flowers entwining a listel. [3] |
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Symbolism |
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The
central symbol consists of twin fishes (matsya), a buddhist symbol
meaning freedom from restraint and the life-giving properties of water. They
also symbolize the Jamuna and the Indus, the main rivers of India. In the
context of Awadh they are the emblem of the mahi muratib = the Order
of the Fish (“fish dignity” in Persian and Arabic), an honorary badge or
dignity, shaped like a fish (supposedly Labeo rohita in Moghul India).
Said to signify youth, bravery, perseverance and strength. Shaped like a a
golden fish on a pole or as two golden fish hanging from a bow. Reputedly
founded by Khusru Parviz, King of Persia (A.D. 591-628), and thence passed to
the Moghul Emperors of Delhi and to the Court of Awadh. The Kutar
is the symbol of armed authority. This emblem
is supported by two tigers, each keeping a banner. This banner is forked and
shows a golden fish on a red field. It is the symbol of the army. The tigers
are symbols of a king (in Buddhist symbolism: - of wild animals), “worthy and
courageous supreme commander of the army”. As a result, the Nawab of
Awadh is represented here as having a rank equal to a Raja (king) and not to
a Maharaja (high king) for which the insignia was a lion. The lion would fit
the Padshah-e Awadh after 1819, as a Padshah was the Persian
equivalent of Maharaja. |
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The Mughals’ tiara |
The composed
symbol upheld by two angels (dewas, hindu goddesses) is the symbol of
the Mughal who was the suzerein of the
nawabs of Awadh. In the symbol the sun is the emblem of the Mughal
Empire, the crown is the Imperial tiara and represents the Mughal himself. [4] The angels
generally symbolize the heavenly mandate of the ruler and thus legitimate his
power (“By the Grace of God / Heaven”) The necklace
is the symbol of the exalted rank of the Mughal. A very old example of such a
necklace can be seen on the throne of Tutankhamen (1334-‘25 BC) where it is
the mark of distinction if the Viceroy of Numidia. Such
necklaces were also worn by mediaeval Indian kings, often represented as
gods. Always of precious stones or pearls, they were common amongst 19th
century royalty of India. |
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The umbrella
is the symbol of spiritual leadership, be it in this case, of the Mughal or
of the nawab.
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Yamin
ad-Dowla Nazem al-Molk Sa`adat `Ali Khan II Bahadur |
1798-1814 |
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At the beginning of the 19th century, in the
time of Sa’adat Ali Khan II, the achievement was: Emblem: A kutar per pale, point
upwards between two fishes saliant. Crown: The crown of the nawab Supporters: Two tigers, each holding a
pennon. Tympanon above a door in Barowen Palace, 18th-19th c. Detail from: Nawab Ghazi ud-din Haidar of Awadh entertaining Lord and
Lady Moira. Lucknow, c. 1814. (British
Library)[10] |
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Ghazi
ad-Din Rafa’at ad Dowla |
1814-1827 |
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The achievement was continued by his
successors: Medal of Nawab Ghazi-ud-din Haidar of Awadh. Lucknow, c. 1818. Cast and struck gold. British Museum, donated by Henry van der Bergh. The
achievement can also be seen on a golden mohur,
minted 1820. [11] It is: Emblem: A lotus-flower surrounded by the
twin fish matsya, in chief a katar per pale, point upwards. Crown: A five-pointed crown. Supporters: Two tigers with banners
reguardant standing on a listel. The lotus
is, apart from the buddhist meaning,
the symbol of (enlightened) administration. |
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Naser
ad-Dowla Amjad ‘Ali Thorayya (Jah Shah) |
1842-1847 |
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This
crown is the central symbol of an emblem that appears on coins minted in the
reign of Amjad Ali Shah. It is: Emblem: A
fish naiant to the sinister and the crown of Awadh in chief. Crest: The
royal umbrella of Awadh. Garland: Two
swords, points upwards. This
may have been the emblem of the Royal Army of Awadh. |
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Silver Rupee with emblem of the Royal Army of Awadh, 1842. [12] |
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Mohammed Wajed ´Ali
Shah |
1847-1856 |
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A last
achievement of the Padshah’s of Awadh dates from the reign of Mohammad
Wajed ‘Ali Shah. It can be found in a manuscript made for the king in which
he is portrayed in his royal robes, wearing the royal crown and sitting on
his throne. [13] The royal achievement is: |
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Arms: An Indian shield with four knobs. Crown: The royal crown of Awadh upheld
by the Supporters: Two winged mermaids with morchhals
(fans) and royal pennons. Crest: The Royal umbrella, topped by a
bird. Compartment: Two swords and a listel. There is also a smaller version of
these arms which might be called the ‘royal emblem’. This consists of a crowned
vase (kulasa, dhana kumbha) and the umbrella. The kulasa
is the symbol of longevity and the fulfilment of higher aspirations. We may
notice that the twin fish (matsya) and the angels (dewa) have
merged into the winged mermaids. |
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Coloured version of the royal achievement of Awadh. On
the frame of a photo of the begum, 1855ca.. [14] Achievement of Awadh at the gate of the Mausoleum
of the Nawabs of Oudh at Sibtainabad Imambara, Matiaburj - Calcutta, India. (Wikipedia) |
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© Hubert de Vries 2009-07-31. Updated 2010-01-20; 2012-04-25; 2020-03-10
[1] See Royal Ark: India.
[2] Robert Home (1752-1834). Painter at the court
of Awadh in the tens and twenties of the 19th century. Designer of the crown
and the coronation robes of Awadh. Michael H. Fisher, A Clash of Cultures:
Awadh, the British, and the Mughals (London, 1988), pp. 129-41. Besides
portraits of the kings of Oudh, ‘redolent of youth and radiant with diamonds’,
Home is known to have superintended the making of furniture, howdahs,
carriages, and plate for Ghazi al-Din Haydar and his successor, Nasir al-Din
Haydar. His designs were flamboyant sometimes grotesque, and wove together
traditional Indian symbols, such as the fish and elephants which were common in
Oudh’s royal art, with elements of European classical mythology. See Sir E.
Cotton, ‘Robert Home’, Bengal Past and Present, XXXV (1928), 1-24; Linda
York Leach, Paintings from India (London 1998), p. 190
[3] This achievement is documented by some
websites but its authenticity I think,
is not free from doubt as none of them gives its source or dates.
[4] The Mughals’ tiara as depicted on “Emperor
Bahadur Shah II enthroned”. The Knellington Collection. Harvard Univ. Art.
Mus’s Cambridge Mass. Generally the
Mughal was represented by a sun charged with his portrait.
[5] Prior, Katherine & John
Adamson: Maharaja’s Jewels. Paris, 2000. Pp.176-77.
[6] Retrieved from:
http://www.4dw.net/royalark/India4/oudh.htm
[7] See note 2.
[9] W. Griggs & George Birdwood, Catalogue
of the Collection of Indian Arms and objects of Art presented by the Princes
and Nobles of India to H.R.H. the Prince of Wales, ….in 1875-76. (London
1901), no 19.
[10] In: Maharaja. Thje splendour of India’s Royal
Courts. V&A Museum, 2009. P. 197. The picture of the medal below: p. 29
[11]Ghazi ud-Din Haider 1814/1819-1827 AD (1234-1243 AH) Gold Mohur, Broad
Flan Weight: 10.72 gms Minted in 1235 AH (1820 AD), Regnal Year 5 Minted at
Lucknow (Dar-ul-Saltanat) Reference: K 170.1 Scarce
[12] Amjad Ali Shah 1842-1847 AD (1258 -1263 AH) Silver Rupee Weight: 10.8
gms Minted in 1258 AH (1842 AD), Regnal Year 1 Minted at Lucknow (Dar-ul-Saltanat)
Reference: KM#336
[13] The Nasser D. Khalili Collection of Islamic Art.