ACHAIA / MOREA
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After the Fourth Crusade (1204) the Peloponnesos
was given by Boniface de Monferrat as a fief to William de Champlitte. After he had returned to France
in 1209 it was governed by his bailiff Geoffrey de Villehardouin. Geoffrey
succeeded to prevent William to come back in time to effectuate his claim and
in 1210 was proclaimed Prince of Morea by the nobles instead. The same year
he was recognized by pope Innocentius III who used the name Achaia for the
territory. From this time the names Achaia and Morea were used at random for
it. The Villardouin family has ruled the principality
for more than a century. In 1311 the last Villehardouin, Isabella, died. Her
daughter, Mahaut of Avesnes was deprived of all her rights on the
principality by king Robert of Sicily. She died 1331 in prison. After the disappearance of Mahaut the Anjou-family took possession of the principality. After the death of the last Anjou-ruler Philip of Anjou-Tarente in 1373 his nephew James de Baux succeeded him but the Achaian nobility elected Joan of Naples as its princess. She gave the principality as a fief to her husband Otto of Brunswick who mortgaged it to the Order of St. John for 4000 ducats a year. The Order however, |
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commanded
by its grandmaster Juan Fernandez de Heredia, did not succeed to conquer the
mercenaries of James de Baux. After the death of Jacques de Baux (†1383) the adopted son of Joan of Naples, Louis d’Anjou inherited his titles. Apart of him Louis de Bourbon, Charles III of Durazzo and Amadéus de Savoie claimed the title but none succeeded to effectuate his claims. The principality remained in the hands of the generals of Jacques de Baux. One of them, Peter de St. Supéran proclaimed himself prince in 1396 and was recognized pro-forma by king Ladislas of Naples. In 1402 he was succeeded by his colleague Centurione II Zaccaria who was recognized on 20 April 1404. In 1415 he had to pay tribute to Theodore II Paleologus of Mistra but he could maintain his position until he gave it as a dowry to his daughter Catharine when she married Thomas Paleologus in 1430. This was the end of Frankish presence in Achaia. |
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The Square Cross Photo Henk Tijhof 2009 Two templon-screen slabs in Mistra Almost
everywhere in mediaeval Europe, the symbol of Christian administration was a square cross. Achaia / Morea was not an
exception to this rule. Square crosses could be found, amongst others, on the
templon-screens in orthodox churches. Two of them are preserved in
Mistra and they are said to have been reused for a sarcophagus, probably for
one of the princes of Achaia or a member of his family. [1] We may suppose that the
slabs were removed from the orthodox church when the citadel of Mistra was
build in 1248-’49. The crosses are of a form somewhat in between a cross
patée and a cross moline. The cross on the arms of the
Villehardouin princes of Morea is evidently inspired by these crosses. |
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Godefroid I de
Villehardouin |
1209-1229 |
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Seal: Arms: A cross moline of peculiar form. L.: X sigill gosfridi de vilardvin (Sturdza p. 557). |
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Sigillant : Geoffroi de Villehardouin maréchal de Romanie et de Champagne Légende : + SIGILLVM GAVFRIDI DE
V(i)LLAHARDVINI écu à la croix recercelée, au franc quartier chargé d'un
écu au lion Représentation
: héraldique Sceau Empreinte originale
d. 47 mm Cire brune Provenance
: ADA 22 H 376 Cote moulage : Ch 149 |
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Isabelle de Villehardouin |
1277-1285 |
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[1] ¥ 1271 Philippe d’ Anjou (bro of Charles II of Naples) |
† 1277 |
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1277 ca
Seal: The princess, standing upright, in her left hand three leaves of
shamrock, above her head two shields: [Or], a cross moline [Sable]. L.:
S : ISABELLE : P ZIPISSE : ACHAYE. [2] |
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The coat
of arms of Morea is said to have been Argent, a cross moline Sable with the
legend: le p’nce de la moree. [3] It is documented by Camden
Roll (1280
ca), n° D 54: “Prince de la Morree, l’escu d’or od un
fer de molyn de sable”. [4] |
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Charles II d’Anjou |
1285-1289 |
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In the time he bore the title of Prince of Morea
he was emprisoned in Rieti and could not effectuate his claim to the throne
of Naples after the death of his father Charles I in 1285. In this period of
his life he may have borne the arms of Anjou: Azure, strewn with
fleurs-de-lys Or, a label of three Gules. |
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Isabelle de Villehardouin |
1289-1311 |
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[2] ∞ 1289 Florent d’Avesnes |
1289-1297 |
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Before his marriage with Isabelle he was Governor
of Zeeland and Lord of the city of Schiedam. After his departure to Naples he
was made Connetable of Naples. On his seals he bears: Or, a lion rampant Sable
and a bend compony Argent and Gules. [5] Seal and counterseal of
Florent de Hainaut-Avesnes, 1286 Equestrian
seal: Knight on
horseback,. Arms: [Or} a lion rampant [Sable] and a bend compony [Gules and
Argent]. Crest: An eagle [Sable]. L.: É SIGILLUM FLORENTII D[E H-YN]ONIA MILITES. Counterseal: Arms and crest: as before. L.:
SIGILLUM SECRETI. |
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[3] ¥ 1301
Philippe de Savoie |
*1278-†1334 |
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Seals of the prince of Achaia «maritale nomine» Philip of Savoie, third husband of Isabelle. [6] Equestrian seal:
A: [Gules,] a Cross [Argent] and a bendlet [Azure]. On the aillettes a
cross. L.: S : PHILI [ ] BAVDIA • MILITIP NUIPIS • ACHAYE. Counterseal:
Arms: A cross and a bendlet. L.:
SPHILI CSABAVDIA MILI † |
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Philippe I de
Tarente |
* 1278 ca-† 1331 [1] ∞ 1294
Thamar Angelos Komnenos, heiress of Epirus † 1309 Despot of Romania
1294 Prince of Morea
1307-1313 [2] ¥ 1313 Catherine de Valois, Empress
1307-1346 Titulary Emperor of Constantinople 1313-1331 |
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The arms of Philip, second son of Charles II, King
of Naples, are a difference of the arms of his father by adding a bend
Argent. Seal and arms of Philip I
of Tarente [7] In his career he also parted his arms with the
arms of his wife. The arms of Thamar were: Gules, a two-headed eagle Or. The
arms of Catherine as an empress were: Gules, a cross, in every quarter a
cross within a roundle between four crosslets Or. |
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Mahaut d’Avesnes (daughter of
Isabelle de Villehardouin and Florent d’Avesnes) |
† 1331 1313-1322 |
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[1] ∞ 1305 Guy II de la Roche [2] ∞1311
Louis de Bourgogne |
1313-1316 |
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Seals and arms of Louis de Bourgogne, 1313 ca Equestrian seal:
A: Bendy of six Azure and Or, a bordure Gules (Bourgogne). C.: Dragon. The
horse-clothes of the arms, on the head of the horse Or, a cross patéeSable,
and the dragon-crest. X s ‘ LVDOVICI • DE • BVRGVNDIE
PRINCIPIS ACHAYE Counter seal:
A.: Bendy of six Azure and Or, a bordure Gules (Bourgogne), and a canton Or,
a cross Sable. L.:
X s ‘ LVDOVICI • DE • BVRGVNDIE
PRINCIPIS ACHAY. |
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[3] ∞ 1318 Jean d’Anjou count of
Gravina |
1318-1333 |
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The coat of arms of Jean d’Anjou-Gravina, third
son of Charles II of Naples, is in the Armorial de Gelre with the legend: Htoge
vā Durays. [8] Here
the arms are Arms: Azure strewn with
fleurs de lys Or a bordure compony Gules and Argent |
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Foto
H.d.V |
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These arms are also on the tomb of his
granddaughter Margherite (†1412) in the church of S. Chiara in Naples, made
by Baboccio da
Piperno in commission of her son King
Ladislas of Naples. It shows: Arms: Azure, semée with
fleurs-de-lys Or, a lambel of three Gules and a bordure compony Gules and
Argent. |
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Catherine de Valois (widow
of Philip I of Tarente) |
1333-1346 |
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The arms of Catherine de Valois are not known but
the arms of her father were: Azure, strewn with fleurs-de-lys Or, a bordure
Gules. The arms of her mother were: Gules, a cross, in every quarter a cross
within a roundle between four crosslets Or. |
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Robert d’Anjou-Tarente (3rd son
of Philip I) |
1346-1364 |
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Marie de Bourbon (widow of Robert) |
1364-1370 |
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Philippe II d’Anjou-Tarente (4th son
of Philip I) |
1370-1373 |
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Achievement of Robert of Anjou-Tarente in Elbasan and a
reconstruction of his arms The arms of these three rulers may have been
parted per pale of Courtenay-Constantinople and Anjou-Tarente. A coat of arms
with this parti is in the church of St. Wladimir near Elbasan (on the
road from Durazzo to Salonika) The achievement, in the style of the latter
half of the 14th century is: Arms: Parted per pale of
Courtenay-Constantinople and Anjou Tarente. Crest: On a helmet,
lambrequined Azure, strewn with fleurs-de-lys Or, a crowned lion sejant
upholding three ostrich-feathers. This achievement may have been of Robert but it
remains to be explained why the stone came to be erected in the centre of
Albania. [9] The father of Mary of Bourbon, Louis I, the Great,
first Duke of Bourbon, bore: Azure, strewn with fleurs de lys Or, a bend
Gules. |
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Jeanne I d’Anjou, Queen of Naples |
1373-1381 |
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Jeanne I bore, as a queen of Naples, the blason of
her grandfather Robert, viz. parted per pale of Jeruzalem and France. On a
portrait of hers she is dressed in a coat of arms of the blason of Jeruzalem.
On her goldcoins she is sitting on her throne, a strewn with fleurs-de-lys as
a background. The arms of Brunswick were: Gules, two lions
passant guardant Or. The arms of the Order of St. John of Jeruzalem
were: Gules, a cross Argent. The arms of its Grandmaster Juan de Heredia were:
Gules, seven castles Or. |
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Jacques de Baux |
1380-1383 |
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The arms of Jacques de Baux are on his tomb in the
chuch of S. Cataldo in Tarente. They are: Arms: Tierced per pale
of Anjou Tarente, De Baux and Romania. [10] |
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Amédé de
Savoie-Piemonte |
Pretender 1368 -1391 Recognized 1391-1402 |
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The achievement of Amadeus of Savoie-Piemonte was: Arms: Gules, a cross
Argent and a bendlet Azure. Crest: On a helmet
lambrequined Gules, strewn with crosslets Argent, a lion issuant Or. [11]. |
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Pierre de St.
Superan |
1396/1402 |
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N.N. |
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Centurione II
Zaccaria |
1402-1430 |
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The arms
of Centurione II Zaccaria were Quarterly Gules and Or. [12] |
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The
Despotate of Morea |
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William
de Villehardouin transformed the settlement of Misithra into a citadel in the
winter of 1248-’49. In
1259, he lost the Battle of Pelagonia against the Byzantine regent Michael
VIII Palaeologus. William was forced to ransom himself by giving up most of
the eastern part of Morea and his newly built strongholds. The surrendered
territory became the nucleus of the Despotate of Morea. The Byzantine
emperor John VI Kantakouzenos (1347-’54), reorganized the territory in 1349
century to establish it as an appanage for his son Manuel Kantakouzenos. The
rival Palaiologos dynasty seized Morea after Manuel's death in 1380, with
Theodore I Palaiologos becoming despot in 1383. Theodore ruled until 1407,
consoli dating Byzantine rule and coming to |
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terms with his
more powerful neighbours -
particularly the expansionist Ottoman Empire, whose suzerainty he
recognised. Subsequent
despots were the sons of the Emperor Manuel II Palaiologos, brother of the
despot Theodore II: Constantine, Demetrios, and Thomas. As Latin power in the
Peloponnese waned during the 15th century, the Despotate of the Morea
expanded to incorporate the entire peninsula in 1430 with territory being
acquired through dowry settlements, and the fall of Patras to Constantine.
However, in 1446 the Ottoman Sultan Murad II destroyed the Byzantine defences
on the Hexamilion wall at the Isthmus of Corinth. His attack opened the
peninsula to invasion, though Murad died before he could exploit this. His
successor Mehmed II “the Conqueror” captured the Byzantine capital
Constantinople in 1453. The despots, Demetrios and Thomas, brothers of the
last emperor, failed to send him any aid. Their own incompetence at rule led
to an Albanian-Greek revolt against them, when they invited in Ottoman troops
to help them put down the revolt. After more years of incompetent rule on the
part of the despots, their failure to pay their annual tribute to the Sultan,
and finally their own revolt against Ottoman rule, Mehmed came into Morea in
May 1460. By the end of the summer he had achieved the submission of all
Byzantine-held cities. The only non-Ottoman territories were held by Venice:
the port cities of Modon and Koroni at the southern tip of the Morea, and the
Argolid with Argos and the port of Nauplion. Monemvasia subsequently
surrendered itself to Venice at the beginning of the 1463-1479
Ottoman-Venetian war. The
Peloponnesos remained under Ottoman rule until 1830 and was, together with
Athens and Euboea, the nucleus of the
Hellenic state. |
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Mistra. The Libro de
Conoscimiento from the time of the Kantakuzenos dynasty gives: Gules, a cross
patée Argent between four crosses patée Sable for Morea. [13] There are no other contemporary sources documenting
the colours of the arms. These arms may be a translation of the flag or
banner. |
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In the time of
Kantakuzenos rule when only Mistra and not most part of Morea was subject to Constantinople,
there seems to have been some influence of western heraldry. The
despots from the House of Paleologus used the two-headed eagle as the
insignia of their rank. It is a golden two-headed eagle on a red background. Usually
the two-headed eagle denotes the rank of a basileus or a similar rank, and was used all over the
former Roman Empire by Greek Orthodox, Catholic and Muslim rulers. Outside
the Roman Empire it was used by Russian kings from about the middle of the
13th century. Most of the time the background is red and the eagle gold but
other combinations of tinctures are possible.
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THE HOUSE OF KANTAKUZENOS |
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Michael Andronikos **** Manuel ∞ 1355 Isabelle de Lusignan |
1308-1316 1316-1322 1349-1380 |
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Isabelle de
Lusignan was a daughter of Guy
(Constantin II), King of Armenia (1342-’44) and his second wife Theodora Syrgiannes
(∞ 1331). She was the only
heir of Guy and married Manuel Kantakuzenos in 1355. A part of an
iconostasis in Mistra from the 2nd half of the 14th c. shows her coat of
arms: Photo Henk Tijhof 2009 Parts of an iconostasis epistyle.
Mystras, second half of 14th c. Ap. / Nos 1207, 1208 It is
parted per pale of Lusignan and Mistra, i.e. Argent, a lion rampant Gules,
and Gules a cross patée [Argent] between four crosses patée [Sable]. |
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Matthias Demetrius |
1357-1383 1383-1384 |
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THE HOUSE OF
PALAIOLOGOS |
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Theodoros I |
1384-1407 |
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Photo
Henk Tijhof, 2009
Two-headed eagle in the castle of Mistra, end of 14th c.
A portrait of
Theodoros I as a despot and as a monk is on his tomb in the Church of the Hodegetria, Vrontochion
Monastery,
Mistra. No two-headed is visible because his suppedion is severely
damaged. |
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Theodoros II |
1407-1443 |
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John VIII co-emperor since about
1415, Theodoros II and his brother Andronikos who was governor of Salonika
(1415-’23). On a portrait of the Byzantine emperor Manuel
II and his family. (Paris, Musée du
Louvre. Ms. 416 dit de Saint Denis l’Aéropagite. (End 14th c.)) [14] This leaf may have been painted in 1416 when
John was made co-emperor. The boys were then 24, 20 and 13 respectively. The red tunica of Theodoros II is strewn with
two-headed eagles, enclosed by an annulet. |
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Demetrios |
1449-1460 |
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The two-headed eagle of Theodoros II is
confirmed by the seal of Demetrios Palaiologos (1448-’60), the fifth son of
Emperor Manuel II. [15]
It is a paper covered seal of red wax and shows a two-headed eagle
crowned with two crowns and the legend: ΔΗΜΗΤΡΙΟΣ έν Χώ τώ Θώ πιστός Δεσπότης ‘Ρωμαίών ό Παλαιόγος.” [16] |
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© Hubert de Vries 2009-12-09;
Updated 2010-01-11; 2012-09-26; 2018-12-02
[1] On the
inscription it is proposed that the slabs are reused for the tomb of Manuel Kantakuzenos Paleologus, the first
despot of Morea (1354-’80).
[2] Schlumberger, Gustave: Sceaux des feudataires et du clergé latin de
l'empire latin de Constantinople. Caen, 1898.
[3] Fox-Davies, Arthur Charles: The Art of Heraldry. An Encyclopaedia of
Armory. Arno Press, 1904. Rep. New York, 1976. Pl. LXXI, p. 405.
[4] Brault, Gerard J.: Early Blason. Heraldic
Terminology in the XII and XIII centuries with special reference to Arthurian
literature. Clarendon Press. Oxford, 1972. P. 70. There is no contemporary proof that the tinctures were ever Gules, a
cross moline Or. Usually these tinctures are cited from: Jouffroy
d'Eschavannes: Armorial Universel. Précédé d'un traité
complète de la science du blason. L. Curmer, Ed.. Paris, MDCCCXLIV. T. II, MDCCCXLVIII:
Villehardouin en Champagne et en Grece. De
gueules a la croix ancré d'or.
[5]
Prins, Elisabeth C.M.
Leemans-: Zegels en Wapens van de steden in Zuid Holland, een bundel studiën.
's Gravenhage. Historische Vereniging voor Zuid-Holland, 1966. Zuid-Hollandse
Studiën XII. Pp.
215-217, Afb 1, 2.
[6] Sturdza, Mihail Dumitru: Grandes Familles de
Grèce, d'Albanie et de Constantinople. Dictionnaire Historique et
Genealogique. Paris, 1983. Chez l'auteur. 7 Rue de la Neva, F-75008 Paris. Pp. 558-559. Monti della Corte: Les
brisures de la Maison de Savoie. In: Receuil du 11e Congrès &etc. Liège
1972, pp. 389-392, gives as his arms: Parted per pale the first
Gules, a cross Argent and a bendlet Azure, the second Gules, a cross moline Or
(!). And for his title: Prince of Achaia, of Morea and of the Holy Empire,
Count of Piemonte etc.
[7] Sturdza, op.cit p. 498.
[8] Armorial de Gelre. Ms. 15652-56, K.B. Brussel. N° 737.
[9] Sturdza op.cit
, p. 432-433., who remarks that the stone has inscriptions in greek and latin. He
suggests that the achievement is of
Charles Thopia who was a son of a bastard daughter of king Robert of
Naples. This would not explain the
Courtenay-Constantinople blason.
[10] Sturdza op.cit. p. 505.
[11]
Hefner, O.T. von, M.
Gritzner & A.M. Hildebrandt: Die Wappen der Ausserdeutschen Souveräne und
Staaten. Baner & Raspe. Nürnberg, 1856. Repr. Neustadt a/d Aisch, 1978. P.
28, Taf. 62
[12] Sturdza, op.cit. p. 562.
[13] Libro del
Conoscimiento de todos los reynos y tierras y señorios que son por el mundo, y
de las señales y armas que han cada tierra y señorio. Book of the knowledge of all the kingdoms,
lands, and lordships that are in the world. The Hakluyt Society. Second Series
N° XXIX. Issued for 1912. P. 19, pl. 8, nos. 32, 33. The quote reads: ...I took
ship and proceeded to the island of the Morea. In it there are seven great
cities, to wit Trareoza, Patras, Coranto (= Corinth), Neapoli (= Nauplia),
Marbaxa, Colon, Mutam.
[14]
Manuscript of St. Denis
Aeropagite. Ms 416. Louvre, Paris. End
14th c.. Depicted are Emperor Manuel
Paleologus, Empress Helena, Johannes,
Theodorus and Andronikus.
[15] It is on a
letter from Demetrius to Charles VI of France. Du Cange, Famil. Byzant. p. 198.
[16] Koehne B. von.: Vom
Doppeladler. In: Berliner Blätter für Münz-, Siegel- und Wappenkunde. Dl. VI Berlin 1871. P. 5. Also: Lambros fig. p. 457 (fig.)
and Solovjev, p. 135. A portrait of
Demetrios is thought to be painted by Benozzo Gozzoli see:
http://nauplion.net/CP-Pal-Portraits.html