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Papal State

 

 

Introduction

The Church

The Red Cross

The Parallel Keys

The Crossed Keys

The Apostolic Chamber

The Pavilion

Repubblica Romana

Empire Français

2nd Roman Republic

Stato della Citta del Vaticano

Papal Arms 1

Papal Arms 2

Papal Arms 3

Papal Arms 4

 

 

Introduction

 

The foundations for the ecclesiastical state were laid by the so-called Pragmatic Sanction of Emperor Justinian in 554. Then some administrative powers were delegated to the Pope.

The symbol of this state, which thus did not have a territory or a military force, was a combination of the Latin and the Greek cross, which in modern literature is called the “Celtic cross”. A copy of such a cross was donated to Pope John III by Emperor Justin II in 565.

 

The Celtic cross is basically found on the territory of the Holy See, the Patrimony Petri, but also in those areas that can be considered imperceptible to the Holy See. This was also the area of ​​the Irish Church in Ireland and Scotland from the 7th century and most Celtic crosses are found here. Thes crosses became obsolete when the Irish an Scottish churces wer incorporated into the Roman Catholic Church

 

The Celtic cross was probably used up to the 13th century, but under the reign of Innocent III a new symbol for the Papal State appears. In it, the Latin Cross has been replaced by the crossed keys of St Peter. The arms are identical to the standard of the time and is later replaced by the arms with the crossed keys only.

 

A next phase in the state formation process of the Holy See was the donation of Pippin the Short who donated some areas in Italy (i.e. Romagna, Pentapolis and the Exarchate of Ravenna) to the Pope at the so-called “Quierzy Gift” (754). A number of other areas were added from 757 to 817. For this realm, Pope Leo III sent the “claves confessionis sancti Petri ac vexillum Romanæ urbis” to Charlemagne in 796. This “vexillum Romanæ urbis” is depicted on the apse of the St. John in Laterano. It is green, dotted with balls in different colors. It apparently included executive powers in the city and surrounding area.

 

Pope Leo III and Charlemagne 796

being donated the pallium and the vexillum Romanæ urbis by St Peter holding the claves confessionis sancti Petri. Apse of St. John in Laterano, Rome.

 

 

 

The Church

 

The oldest supported latin cross is in the Roman catacombs and can be dated ca 350. Here the cross is supported by paschal lambs what may have been the oldest arrangement symbolizing a christian community.

 

Ivory reliquiary-case from  Samagher (ca 342-44)

Museo Archeologico, Venezia.

 

This side shows in the two upper registers  the achievements of the imperial adminisration consisting of a square cross supported by 2 ´ 2 eagles, and of the church consisting of a latin cross supported by two paschal lambs.

Below some believers are gathered before the entrance of the tomb of St. Peter, built under the reign of Constantine the Great in the old St. Peter in Rome.

 

Nella cassettina d’avorio già a Pola ora al Correr di Venezia, riconosciuta opera sicuramente romana di committenza aulica e destinazione ufficiale, datata circa al 440, è convenuto che il centro del lato anteriore raffiguri l’iconema-fulcro del fascione absidiale degli antichi mosaici della basilica vaticana, eretta da Costantino sulla tomba di Pietro e dedicata al Christo in memoria della vittoria al Ponte Milvio, la cui decorazione ‘figurata’ è ascritta (circa 342-44) al figlio Costante, in occasione della sua vittoria sui barbari Franchi.


In the ivory box, already in Pola now in the Correr of Venice, and certainly recognized as a Roman work of noble commission and official destination, dated around 440, it is agreed that the center of the front side depicts the iconeme-fulcrum of the apsidal fascia of the ancient mosaics of the Vatican basilica, erected by Constantine on the tomb of Peter and dedicated to Christ in memory of the victory at the Milvian Bridge, whose 'figurative' decoration is ascribed (circa 342-44) to his son Constant, on the occasion of his victory over the barbarian Franks. (Lit.: M. Guarducci: La capsella eburnea di Samagher).

Box of the Canziani Saints. End 4th beginning 5th cent.

12,4 ´9 cm From Grado, 400ca

 

Latin Cross supported by paschal lambs. In base four springs symbolizing the four gospels.

 

 

The Cross and the Angels

 

Column of Arcadius Western side

400-421 AD

 

Latin cross surrounded by a crown of laurel, supported by two hovering angels

 

Ivory Diptych, (beginning 6th cent.)

 

Christ seated between St.Peter and St Paul. In the lower register a latin cross supported by two angels

Constantinople, beginning of 6th century

Ivory.

Coll Martin Le Roy and later Marquet de Vasselot.

Major heritage interest acquired in 2003

thanks to the patronage of the Banque de France Cl  23898

 

Hormisdas                                                                                                                        514-523

Johannes I                                                                                                                        523-526

 

Felix IV

526-530

 

Basilica San Vitale,  Ravenna.  (526-547)

 

Emblem: Azure a latin cross, hanging therefrom an Ѡ and an A Or, within a bordure of the rainbow.

Supporters: Two angels hovering

 

Bonifatius II                                                                                                                      530-532

*Dioscorus                                                                                                                              530

Johannes II                                                                                                                       533-535

Agapetus I                                                                                                                        535-536

Silverius                                                                                                                            536-537

Bonifatius II                                                                                                                      530-532

*Dioscorus                                                                                                                              530

Johannes II                                                                                                                       533-535

Agapetus I                                                                                                                        535-536

Silverius                                                                                                                            536-537

 

32 Vigilius

537-555

 

33 Pelagius    

555-561

 

The successor of Vigilius was Pelagius I, who made resolute use of the pope’s new rights, organizing the temporal government of the territory over which he was actually sovereign and setting the papacy on the road to real political power. This power was to grow so rapidly that Gregory the Great (590-604) could write, a few years later: “I should like to know whether the pope, in this world, is a spiritual leader or a temporal king”. [.........]  In the latter part of the 6th century the pope was to be concerned more with vigilance against the danger of barbarian invasion and with the protection of the peoples of Italy than with his function as spiritual head of the universal church [.........]

At the invasion of the Longobards, conquering the north (569) the Emperors of Constantinople could not give much help Yet the emperors persisted in their claim to be the guardians of the papacy.

 

Latin cross supported by two angels. On the ground four  sources

Syria. 6th century. Russia. St. Petersburg, The State Hermitage Museum

 

34 Johannes III        

561-574

 

Cross of Emperor Justin II, 565

 

Cross of Emperor Justin II, 565

 

565-570 Cross of Justinus II (565-578) and Empress Sophia. Tesoro di San Pietro, Roma.

 

Obverse: Imperial side: A cross set with precious stones, in the middle a medallion with a Greek cross, surrounded by 12 pearls. On the post the text:

 X  LIGNO YUO CHRISTUS HUMANUM SUB DIDIT HOSTEM DAT ROMAE. On the cross wood: IUSTINUS OPEM ET SOCIA DECOREM.

Back: Christ side: The arms decorated with tendrils, in the middle a medallion with the Paschal Lamb i.e. a nimbled sheep with a cross staff. On the upper arm a medallion with a Christ with a book nimbed with a Greek cross and a raised right hand, the palm forward. On the lower arm a mans bust with a Greek cross, with a codicil (?) In his right hand and a cross staff in his left. On the right arm an imperial bust with raised hands (orans) and on the left arm an empress bust orans. Four gems are hung on the crossbar.

In this form, probably the oldest, the Cross of Justin II was depicted by


Borgia, S.: De cruce vaticana ex dono Justini Augusti in parasceve maioris hebdomadae publicae venerationi, exhiberi solita commentarius .... cui accedit Ritus salutationis crucis in ecclesia antiochena Syrorum servatus..... Romæ 1779.


The caption to the image reads:

 

Schema Crucis argenteæ inauratæ

Gemmis affabre distinctæ

Ex Justini Imp. dono Romam missæ

Et in Sacrario Basilicæ Vaticanæ adservatæ

Quod nunc primum aere insculptum editur

a Stephano Borgia Sac,. Cong. de Propag. Fide a Secretis

Anno mdcclxxviiii


The current cross stands on a baroque base and the original medallion on the front has (apparently) been replaced at the same time (after 1779) by a new one with a red cross on a white field surrounded by a halo. Nevertheless, the medallion depicted by Borgia seems authentic. The combination of Greek and Latin cross can also be understood from the political situation in the origins of the cross: Due to the so-called Three-Chapters case, the Pope's moral authority had suffered severely and "Justinian's" pragmatic sanction "of 554 may have been intended as a measure of compensation for it. By this act the emperor acknowledged, confirmed and increased the temporal power of the pope, who was henceforth to have a voice in the nomination of the governors of the Italian provinces of the empire and to participate in the control of their finances. The pope became the official protector of the civil population against the depredations of the military, against extortion by the tax collectors and against abuse of power by the administration. But second in rank in the Ravenna Exarchate. (Gibbon II p 763)

 

Grado

The patriarchate of Grado came into being when the schismatic Patriarch of Aquileia, Paulinus (557-569), moved to Grado in the mid 6th century. But in their reunion with Rome in 606, a rival office was set up in Old-Aquileia. Aquileia later entered communion with Rome but was able to keep its independence and title from Grado. In 1451 the see of Grado was merged with Castello to form the Roman Catholic Archdiocese of Venice.

 

Episcopal throne of Grado (606)

 

Latin cross supported by apostles Paul and Peter.

 

The Cross and the peacocks

 

 

Ravenna S. Apollinare Nuovo, transenna. (3rd ¼ 6th century)

 

Latin cross supported by two peacocks

 

In 552 Ravenna ws recaptured by  Byzantium and  Narses became prefect (552-567). 

 

67 Stephanus II (III)

752-757

 

Under Stephen II (III) the course of events led rapidly toward papal independence from Constantinople. The Lombards took over most of  the Byzantine possessions in Italy, Ravenna falling in 751. Their aim was now to make Rome the Lombard capital. Since  the emperor Constantine V could do nothing to prevent them, Stephen II crossed the Alps, the first pope to do so, and prevailed upon Pepin the Short to come to his assistance in 754 (when he anointed him as king) or 755 and again in 756. Pepin, moreover, gave the territories he won from the Lombards to the pope and thus laid the foundation of the States of the Church; Stephen II was the first pope  to be also a sovereign. The role of protector of the papacy had passed to the Frankish ruler. Paul I, Stephens’s brother and successor, informed Pepin of his election, as his predecessors had informed the emperor, but did not ask for authorization to be consecrated.

 

754 Pippin the Short founds the Papal state Pepijn de Korte by the Donation of Quierzy. “Stephen II was the first pope to be also a temporal sovereign”.

 

Donation of Pippin, traditional name of the oral or written promise made by the Carolingian king Pippin III to Pope Stephen II (or III) granting the pope rights over large territories in central Italy. The Donation was an important step in the development of the Papal States and helped to solidify the alliance between the papacy and the Frankish monarchy The Donation of Pippin came into being as part of the restructuring of political alliances on the Italian peninsula in the mid-8th century. The papacy, still nominally subject to the Byzantine emperor in Constantinople, was plagued by encroachments on its territories from the Lombards, especially under their militaristic king Aistulf. For protection, Stephen could no longer depend on the emperor, who had lost control of the imperial capital of Ravenna when Aistulf seized it. Stephen, therefore, turned his attention northward to the new king of the Franks, Pippin, who had deposed the last Merovingian king in 750 after gaining approval from Stephen’s predecessor, Zacharias (741–752). In January 754 Pippin welcomed Stephen to the Carolingian royal palace at Ponthion, and the pope remained in the Frankish kingdom throughout the winter.

 

 

 

 

67 Stephanus II (III)

752-757

           

750-770 Frontispiece van het Sacramentarium van Gelasius

(Biblioteca Apostolica Vaticana)

 

A Latin cross, in the middle a medallion with a Paschal Lamb with a cross. The arms are set with nine medallions, three quarterly of green and gold with a purple cross on its back, and two quarterly of gold and red with a purple cross. Two others have quadrupeds of an indefinable type and two others have a rosette. The Greek letters A and Ѡ hang from the arms.. The cross is ‘supported’ by two peacocks and is under a canopy, the arch of which is decorated with dragons. At the corners are eagles. The canopy is supported by two columns, standing on pedestals decorated with what most resembles four horses.

 

Foto H.d.V. 2016

Achievement of the Church

Müstair Monastery (C.H.), dendrochronologically dated ca 775

 

This achievement is of quite a different program, the peacocks missimg and replaced by the traditional angels

Arms: A latin cross, charged with a paschal lamb .

Ensigned with a God’s hand

Supporters: In chief two angels and in base a cleric (bishop) and an angel with a crozier

 

This may be the achievement of the Diocese of Chur. (Dioecesis Curiensis *451 AD- ) to  which the monastery was subordinated

 

Page 32v from the Book of Kells.

 

Below the arch of the ciborium a latin cross and two peacococks. On the sides woman and a man and below two angels

 

Jaenberht

 

Page 32 v ° in any case does not represent Christ because at that time, both as head of the church and as a Pantocrator, he was represented with a nimbus-with-cross. So here we are dealing with a high prelate, which can also be seen in the book he is bearing. This prelate is not Pope Hadrian I because he had no beard as can be seen on some of his portraits. It is also no other pope because he lacks a pallium. An Irish cleric is all the same because they put the tonsure on the forehead instead of on the crown. This image is therefore also a strong argument for the creation in England of the manuscript. It should therefore be an archbishop of Canterbury under whose spiritual authority Britain fell. With this prelate something strange is going on, because he is in the company of two peacocks with a red cross on a white field on their wrist. The red cross on white is the general symbol of the Catholic Church or the ecclesia (community of Christ). However, it is also possible that these crosses were made later when parts of the page were retouched with white paint. In general, the peacock can be regarded as the symbol of a prefect or of a high administrative official. According to Augustine, the peacock was the symbol of unrepentance because his flesh had not been spoiled even after a long time. Similarly, "the peacock drives away all vermin with his screams". For this reason, the co-emperors who considered themselves to be a prefect, for example from Rome or Gaul, are also represented with a peacock-tail as a crest. For the theory that the peacocks are the symbol of a provincial governor or exarch, specially in Ravenna argues that in this city a number of sarcophagi have been preserved on which a christogram is depicted supported by two peacocks. The Ravenna exarchate existed from the end of the 6th century to 750. In 756, Peppin the Short gave the area of ​​the former exarchate to the pope, which also became a recognized worldly monarch. In 774 this so-called “donation of Quierzy” was confirmed by Charlemagne again. [4] The symbol of the Latin cross between the peacocks after 751 can therefore be considered very well as the symbol of the pope of Rome resp. of the papal government over a part of Italy. The image of the prelate in combination with the peacocks could thus mean that he belonged to the jurisdiction of the church of Rome (which is confirmed by the red crosses) and under the authority of the pope of the pope i.c. Pope Hadrian I. fell. In that case the archbishops Jaenberht (765-792) or Aethelheard (792 / '3-805) can be depicted.

Page 32 v ° can therefore, in view of the date of creation, represent Jaenberht. A woman and a man are depicted on either side of him. The man has a scepter in his left hand and thus holds a high administrative position but is not a king because his nimbus is missing. This corresponds approximately to the position that Ecgfrith had from 787. Finally, for the woman, either Cynethryth, the wife of Offa himself, or the wife of Ecgfrith might qualify.

 

80 Leo IV

847-855

 

Lastra di rivestimento di altare: pavoni e rosoni sotto arcatelle

forse  S. Maria in Aracoeli. Meta secolo IX.

 

Crosses holding between greek- and latin crosses, supported by peacocks and  between eightpointed stars in chief. In base two double eight-pointed stars (suns).

The S. Maria in Aracoeli is a church on the Capitoline Hill.

 

Museo dell’Alto Medioevo, Roma    [ (medioevo.ostia@arti.beniculturali.it )

 ]

 

Louis the Pious 834 - † 840/ Lothair I  840-855

 

109 Johannes XII

955-964

 

On his deathbed Alberic II of Spoleto, ruler of Rome, had Roman nobility and clergy swear they would elect (his illegitime) son Octavianus as Pope.. This oath was honored in 955 when Octavianus became Pope as Johannes XII


John XII's pontificate was marked by scandals and his politics were unsuccessful. In February 962, he crowned Otto I as emperor and obtained from him confirmation and extension of the secular power of the popes, the so-called Ottoman Privilege (Privilegium Ottonianum). An article in this privilege gave the emperor the right to approve the pope's choice. The emperor and the pope soon clashed. Otto I had John XII deposed and replaced him with Leo VIII in December 963.

 

The Privilegium Ottonianum is depicted and discussed in Das Geheimarchiv des Vatikan (Stuttgart / Zurich, 1992) pp. 60-61. The caption reads:


Certificate of Emperor Otto I o.O. 13 February 962.

 Purple parchment, 1015 ´ 395 mm, Carolingian script in gold. A.A., arm. I-XVIII, 18

 

 The document, usually called “Privilegium Ottonianum”, is a copy from the time of the (lost) original document; with her, Emperor Otto I of the Roman Church confirmed the gifts of Pippin and Charlemagne on the occasion of his coronation (by Pope John XII in St. Peter's Basilica on 2 February  962). At the same time, the document established imperial rights in relation to Rome and in the election of the Pope after the Constitution of Roman Emperor Lothar in 824. Because of this “privilege”, the canonically elected Pope had to pledge allegiance to the Emperor before his ordination and was not allowed to deprive his officials of imperial sovereignty; this is expressly stated in one of the most important sections of the document: (Z. 42 ff.: Et ut ille qui ad hoc sanctum et apostolicum regimen eligitur nemine consentiente consecratus fiat pontifex priusquam talem in presentia missorum nostrorum vel filii nostri seu universæ generalitatis faciat promissionem qualem domnus et venerandus spiritalis pater noster Leo sponte fecissen dinoscitur).

 

113 Johannes XIII

965-972

           

John XIII was Otto I's protégé. He had to come to his aid against the rebellious Romans in 966. John XIII crowned Otto II co-emperor in 967 and his wife Theophanu co-empress in 972. In that year, the ciborium in S. Ambrogio must have been created because it shows Otto I, Otto II, Adelheid and Theophanu. John XIII is on the ciborium in papal robes with pallium. He is crowned with a cylinder crown by the Hand of God. This crown must correspond to the secular power that was given to the Pope by the Privilegium Ottonianum in 962.

 

Ciborium of the altar S. Ambrogio basilica in Milaan.

South-side: Otto I († 973), Otto II († 983) and Pope Johannes XIII in the middle.

 

164 Hadrianus IV

1154-1159

 

At the coronation of Fredrick Barbarossa by Hadrianus IV there was a skirmish about the strator service  and consequently about the primacy of Emperor and Pope. A report of that skirmish is in the SS. Quattro Coronati, in Rome. According to the fresco the skirmish was won by Frederick Barbarossa.

 

Frescoes in the SS. Quattro Coronati, Oratorio di San Silvestro. Rome.

This church was built during the reign of Paschalius II (1099-1118). The frescoes are usually dated to the early 13th century (1246). The main characters are identified as Emperor Constantine the Great and Pope Silvester (314-335). [1]

 

It is claimed that the scenes represent the events surrounding the coronation of Frederik Barbarossa in 1155.

 

Frederick set up camp in Sutri on Via Cassia in 1155 on the way to Rome expecting to be crowned there. On June 9, Pope Hadrian IV joined him on the assumption that Frederick would render him the strator service. [2] Frederik categorically refused. Posing himself for this refusal, Hadrian dismounted and sat down on a (brought?) throne. Frederick rushed to him, threw himself at his feet and wished to receive the kiss of peace. Hadrian, however, stated that he could not give it without Frederick having brought him the traditional tribute.

Negotiations were conducted on the 10th.

Finally, on 11 June the ceremony agreed by the princes and cardinals took place not far from Nepi (about 25 km from Sutri where the Pope had retired). Frederick spent a bit of time with his army. When the Pope met him, when he saw him, he dismounted and in front of the whole army led the pope’s ambler a stone's throw by the bridle, holding the stirrup firmly. Then Hadrian gave Frederick the kiss of peace.

In consultation with Hadrian, it was decided to send a garrison forward to Rome in order to prepare for a possible revolt by the Roman people against the coronation. It was camped in the monastery of St. Peter and the surrounding area on the night of 17-18 June. On Saturday, the Pope went into town with the cardinals, followed by Frederick with his retinue.

On the steps of St. Peter's Frederick took off his clothes and dressed in his coronation robes. He then proceeded to the church of Mary in Turri, located by the stairs, where the Pope was staying. Frederick knelt before him, put his hand in that of the Pope, and here publicly took the oath of coronation, which included, among other things, his promise to serve the church always. Then the pope, in a festive procession followed by the king and his men, went to the altar of St. Peter. At the Church's Silver Gate, Cardinal Bishop of Albano delivered the first prayer about Frederick. The Cardinal Bishop of Porto spoke the second prayer at the rota. Before the tomb of Peter, the king threw himself to the ground and heard the litany. The Cardinal Bishop of Ostia then anointed his right arm and neck and offered the third prayer. Then Mass was celebrated, the epistle read and the graduation sung. Then the king approached the pope and received from his hands the imperial insignia: sword, scepter and the crown that was put on by the pope. [3]

 

For the time being, it seems that the fresco tells a slightly different story.

 

The main characters in the frescoes undoubtedly represent Frederick Barbarossa and Hadrian IV. A difficulty in their recognition is that the faces on the frescoes are so much alike. Hadrian's main characteristic is the gray beard and mustache. Frederik Barbarossa can be recognized by his short, indeed reddish beard. His portraits are comparable to some other portraits of him from later times.

 

On the left side wall are some introductory frescoes depicting Frederick's visit to the Holy Land. The most important act is the overthrowing of the Golden Calf. After that there is scene which includes the three crosses on Mount Golgotha. Subsequently, a scene has disappeared. Then 5 scenes follow depicting king Frederick Barbarossa going to his coronatian  and meeting Hadrian IV. The scenes 6 and 7 are about the strator service:

 


6. Frederick hands the mitered Hadrian the papal tiara and the ombrellino. The papal parasol is divided into red and yellow stripes, it is presented by the Phrygium-crowned man from the scene on the steps of St. Peter's. The phrygium consists of a conical cap with a gold diadem and is a ducal headgear. The emperor holds a horse ready for the Pope at the bridle. Before the ceremony, Frederick Barbarossa deposed his imperial crown on the balcony of a palace.


The cycle therefore slightly follows the events during the coronation, but deviates from the essential point of the strator service. This would have been granted only after Frederick had been crowned and he had handed the phrygium (in recognition of his office) to the pope. Therefore, the frescoes must have been painted shorlty after the coronation of Frederick Barbarossa  and may have been adapted in 1246 when his grandson Frederick II was excommunicated.

 

189 Nicholas IV

1288-1292

 

Mosaic in the apse of S. Giovanni in Laterano, Rome.


 

Latin cross, crested of the Holy Spirit and supported by two deer


The central party is said to be a copy of a Constantinian example. Pope Nicholas IV is depicted on the left, so this version should date from his pontificate. The church was started in 313 but additions and improvements were made in the 5th, 8th, 10th, 13th and 15th centuries until renewal was undertaken in the 16th and 17th centuries. Depicted is the Holy Land surrounded by the Jordan. In the center is a picture of the Ararat (?) with the rivers Gion, Eison, Tigris and Eufrates between which a picture of paradise (?). On either side six lambs. From the mountain rises from a lake a golden Latin cross with a medallion with Adam and Eve at the intersection. On either side of the cross two deer and above it a carved dove representing the Holy Spirit. In addition to the entire depiction and depiction of Mary and John aka Empress Irene and Leo IV ..

As far as the program is concerned, the central image may date from the 5th century, the head of the man above the cross is then of Emperor John (423-425). The deer refer to the patriarch, in which case it is Celestinus I (422-432). The depictions of Mary and John may have been added later in the 8th century, following the example of the portraits of Leo IV and Irene in Hagia Sophia in Constantinople. Thus, the central section would symbolize the Ecclesia, i.e. the Church of the Patriarch (of Rome) in the 5th century. The question now is why Nicholas IV revived this way of presenting the Ecclesia.

 

 

The Red Cross

 

THE ROMAN CATHOLIC CHURCH (ECCLESIA ROMANA)

The schism of 1054 announced itself at an early stage. Initially, the symbol of the Church of Rome was the Latin cross supported by the apostles Paul and Peter, where Paul is characterized by his credentials (codicil) and Peter by the keys he holds. Later, the two apostles are reduced to the two keys that are the symbol of Peter alone, so the Latin cross occurs between two keys. These two keys, always placed in parallel, eventually became the symbol of the Church of Rome, also known as the Church of St. Peter, in the 13th century. The parallel keys appear, perhaps for the first time, on the absism mosaic of ancient St. Peter's in Rome. It features a symbol of the Church of Rome composed of the throne, the cushion and the Lamb, replacing the apostles with a depiction of Pope Innocent III (1198-1216) and Roman King Otto IV holding a red banner on which the two parallel keys are mounted. In fact, this composite symbol represents the church by the grace of the emperor and pope, whereby the apostles are thus assigned a minor role. The arrangement can thus be considered as the continuation of the arrangement with the Latin cross and angels. It may therefore have been compounded in the euphoria of the consequences of the 4th Crusade Byzantium had submitted to Rome and was expected to reunite the churches. However, no new similar arrangements will occur afterwards. On the contrary, a coin of Charles of Anjou bearing two parallel keys may indicate that the church exists by the grace of the king of Sicily. Later, the mandate of the church remains in the middle because arrangements with two parallel keys from the 14th century are not known. However, the even keys, blue with red cords on a white shield, occur in the 15th century, possibly as a symbol of the curia. Finally, the series concludes with the arrangement that Virgil Solis signed in 1555. This is a coat of arms with two blue parallel keys above which are the tiara and the crossed keys of the Pope. In this composition of arms a great place is therefore given for the authority of the pope, as successor of Peter, in the church.

 

 

1007-1012 Coronation of the royal couple by Christ and underneath the honoring by the subject nations

Book of Liturgies of Henry II (1002-’14/24). Reichenau, 1007-’12. From the Treasury of Bamberg Cathedral. Bayer. Staatsbibliothek München, Cod lat. 4452, fol. 2 r.

L.: tractando iustum discernite semper honestv utile conveniat consultum legis ut optat.

Below: solvimus ecce tibi rex censum iure perenni clemens es totuis nos reddimus ista quot annis.

The central figure below with an orb and sceptre, the one on the left with a crown of laurel and the one on the right with a white sphere with a red cross.

 

The first instance of a Pope  presenting a specially blessed flag to be brone in a military expedition of which he wanted to mark his approval is saidto be that of Benedict IX in 1044, in the case of the campaign of Emperor Henry III against the pagan reaction in Hungary.

Galbreath p. 2 ff

Later, several specially blessed flags are presnted by the Pope but these are most certainly flags of the western church and they were white with a red cross.

 

In the 11th century, a banner with a red cross appears on a white cloth as vexillum S. Petri. This has probably already been used by the first vexillifer William of Montreuil (1059) and then by his successors. [4]

 

The ducal vessel at the campaign of Hastings, 1066.

Bayeux tapestry scene 38

 

Ensigned with a cross at the main and a lion’s head for figurehead.

 

The duke’s flag

Bayeur tapestry scene 55

 

A cross between four balls, marks of his ducal / admiral’s rank.

 

 

We learn from the 1st crusade that the troops fought under the “banner of St. Peter”. This is reported by Anna Komnena: Hugues of Vermandois announced his arrival during the 1st Crusade in a letter to Emperor Alexios I. Arriving in Lombardy he sent John, son of the sebastokrator Isaac (brother of Alexios) and then Duke of Dyrrachium (= Dürres) “ambassadors from there [to the Duke of Dyrrachium], twenty-four in number, protected with cuirasses and greaves of gold, together with the Count Tzerpenterius (Charpentier?) And Elias who had deserted from the Emperor at Thessalonica. They spoke as follows to the Duke, “Be it known to thee, Duke, that our Lord Ubus (= Hugo) is on the point of arriving, and is bringing with him from Rome the golden standard of Saint Peter. Understand, too, that he is the leader of the whole Frankish army .... ”. Unfortunately, this "standard of St. Peter" is not further described. [5]

 

In a rebellion in Milan supported by the Roman clergy, their leader, Erembald, was given a special blessed banner by Pope Alexander II (1061-'73): “In publico consistorio vexillum S. Petri Herembaldo dedit eumque Romanæ et Universæ Ecclesiæ vexilliferum fecit ”. [6]

 

In a letter from the Milanese to the citizens of Tortona from 1155, it is described as “Album vexillum cum cruce D.N.J.C. rubeum colorem habens ” and it would be inferred from this that the cross was a Latin cross. [7]


The same Otto Morena (Res Laudenses, in SS. XVIII, 625/26) reports that in 1160 the Milanese had a “carozulum, supra quod maximum vexillum album cum cruce rubea in medio deferebatur”, which Frederick I captured: “et boves ipsius carozoli accidit, ipsumque carozulum incidit et crucem deauratam, quae super perticam carozoli erat, atque vexillum ibi impositum, abstulit ... ” (With a golden cross on top) (Gritzner E. 1902, pp. 40-41).


The last time this vexillum was actually used was by Emperor Henry VI on his campaign against Sicily. He was preceded by an ensign with the vexillum of the church. [8]. Afterwards, the banner of the church is depicted only in connection with the resurrection of Christ.

 

Thereafter the flag of the church, a red cross on a white cloth is borne by several papal vassals such as England and France

 

A banner more specifically of the Papal state was displayed by Emperor Otto IV at the beginning of the 13th centuryy

 

The Keys

 

In the memorable document […] the content being conjured up by him (= Otto IV) on the day of his election, 9 June 1198. For he unreservedly recognized not only the rights of the Church to the patrimony and the estate of Countess Mathilde, but also her alleged rights to all those central Italian imperial lands in which she had endeavored to assert her sovereignty since the Emperor's death. He gave the exarchate of Ravenna, the Pentapolis, the Mark Ancona and the Duchy of Spoleto to the church, and in fact promised his help to recapture and assert them. With regard to the Lombard and also the Tuscian League of Cities, which the Pope was just about to take under his direction, he wanted to follow his advice and commands as he testified to his own obligation to obey. At last he expressly recognized the feudality of the Church over Sicily. [9])


It didn't go so smoothly with that help, but at least the conquests that Innocent III later undertook were so legitimized.

 

At the beginning of the 13th century, a banner appears under Innocent III, depicting two parallel keys. In the years 1201-13, Innocent also recaptured on his own the areas that were lost in the 10th and 11th centuries and made a new conquest in the Duchy of Spoleto. During the reign of Innocent III, the symbolic presentation of the Eastern and Western emperors was also changed. In addition to being depicted on a mosaic in ancient St. Peter's, the banner was also described in a 1204 letter to Tsar Kaloyan: pretendit autem non sine mysterio crucem et claves, quia Beatus Petrus Apostolus, et crucem in Christo sustinuit, et claves a Christo recepit. According to the mosaic, this should be translated as red, two parallel white keys on a Greek processional  cross.

 

The parallel keys probably occur until the middle of the 16th century. In 1267 the keys appear crossed at the Papal Palace in Viterbo and afterwards both the papal coat of arms and the papal banner are red with two silver crossed keys.

During the popes' stay in Avignon, a new banner and coat of arms appear in the Papal States. Initially it appears to have been red with a white cross between four keys. Not long after that appears: red, a white cross between four pairs of crossed keys. The successor of this coat of arms is again the coat of arms with the crossed keys and this has remained the coat of arms and the flag of the ecclesiastical state until 1870.

 

 

Van het vaandel en de vlag van de Kerkelijke Staat moet het symbool van de paus worden onderscheiden. Aanvankelijk was dit aan het eind van de 4e  eeuw het monogrammatische kruis maar later lijkt het een lam te zijn met een kruis over de schouder. Dit Lam Gods komt in deze zin voor de eerste keer voor op het kruis van Justinus. De paus wordt hierbij voorgesteld als de plaatsvervanger van Christus. [10] Vanaf het begin van de 13e eeuw zijn het de sleutels van Petrus en het profiel van de paus is dan dus teruggebracht tot de opvolger van Petrus. De sleutels worden eerst evenwijdig afgebeeld totdat ze in 1267 gekruist  worden. Aan het begin van de 14e eeuw worden de sleutels op een schild gezet zodat het pauselijk wapen ontstaat. In de 15e eeuw onderscheidt het pauselijk wapen zich van het wapen van de kerkelijke staat door het toevoegen van de pauselijke tiara en engelen als schildhouders. Later door het toevoegen van Petrus en Paulus als schildhouders en een zwaard en een patriarchaal kruis als de symbolen van de geestelijke en de wereldlijke macht.

               Op het ogenblik bestaat het symbool van de paus uit een gekruiste gouden en zilveren sleutel met daarboven de pauselijke tiara.

 

Daarnaast bestaat er het persoonlijke pauselijke embleem. Dit bestond, naar een voorbeeld uit de 6e eeuw, uit het monogram van de kerkvorst, omgeven door een lauwerkroon met ter weerszijden een Latijns kruis. Zulke monogrammen vinden hun vervolg op de pauselijke zegels waarop de naam van de betreffende paus met de toevoeging PP staat en op de keerzijde de apostelen Paulus en Petrus.

               Aan het eind van de 13e eeuw verschijnt onder Bonifatius VIII daarbij het persoonlijke wapen van de Paus. Dit wordt al spoedig vermeerderd met de sleutels en vlak daarop met de tiara. Vanaf het eind van de 14e eeuw komen ook engelen als schildhouders voor.

 

The Holy See (Latin: Sancta Sedes, Ecclesiastical Latin:  also called the See of Rome, is the jurisdiction of the Bishop of Rome, known as the pope, which includes the apostolic episcopal see of the Diocese of Rome with universal ecclesiastical jurisdiction of the worldwide Catholic Church, as well as a sovereign entity of international law, governing the Vatican City.

Founded in the first century by Saints Peter and Paul, by virtue of Petrine and papal primacy according to Catholic tradition, it is the focal point of full communion for Catholic Christians around the world. As a sovereign entity, the Holy See is headquartered in, operates from, and exercises "exclusive dominion" over the independent Vatican City State enclave in Rome, of which the pope is sovereign. It is organized into polities of the Latin Church and the 23 Eastern Catholic Churches, and their dioceses and religious institutes.

 

The Holy See is administered by the Roman Curia (Latin for Roman Court), which is the central government of the Catholic Church. The Roman Curia includes various dicasteries, comparable to ministries and executive departments, with the Cardinal Secretary of State as its chief administrator. Papal elections are carried out by the College of Cardinals.

Although the Holy See is sometimes metonymically referred to as the "Vatican", the Vatican City State was distinctively established with the Lateran Treaty of 1929, between the Holy See and Italy, to ensure the temporal, diplomatic, and spiritual independence of the papacy.As such, papal nuncios, who are papal diplomats to states and international organizations, are recognized as representing the Holy See not the Vatican City State, as prescribed in the Canon law of the Catholic Church. The Holy See is thus viewed as the central government of the Catholic Church.[7] The Catholic Church, in turn, is the largest non-government provider of education and health care in the world.[8] The diplomatic status of the Holy See facilitates the access of its vast international network of charities.

The Holy See maintains bilateral diplomatic relations with 172 sovereign states, signs concordats and treaties, and performs multilateral diplomacy with multiple intergovernmental organizations, including the United Nations and its agencies, the Council of Europe, the European Communities, the Organization for Security and Co-operation in Europe, and the Organization of American States.[9][10]

 

 

According to Catholic teaching, Jesus promised the keys to heaven to Saint Peter, empowering him to take binding actions.  In the Gospel of Matthew 16:19, Jesus says to Peter, "I will give you the keys of the kingdom of heaven, and whatever you bind on Earth shall be bound in heaven, and whatever you loose on Earth shall be loosed in heaven." Saint Peter is often depicted in Catholic and Eastern Orthodox paintings and other artwork as holding a key or a set of keys.

The keys of heaven or keys of Saint Peter are seen as a symbol of papal authority and are seen on papal coats of arms (those of individual popes) and those of the Holy See and Vatican City State: "Behold he [Peter] received the keys of the kingdom of heaven, the power of binding and loosing is committed to him, the care of the whole Church and its government is given to him [cura ei totius Ecclesiae et principatus committitur (Epist., lib. V, ep. xx, in P.L., LXXVII, 745)]"

 

Biblical Sources

Bible verses associated with Peter and his position of authority: Is. 22:20-23; Matt. 10:2; Matt. 16:18-19; Luke 22:32; John 21:17; Acts 2:14; Acts 10:46; Gal. 1:18.

Bible verses associated with the transfer of powers from Pope to Pope: Acts 1:20; 6:6; 13:3; 8:18; 9:17; 1 Tim. 4:14; 5:22; 2 Tim. 1:6.

 

Nave of Old St Peter’s Basilica

With cross and key above the entrance

 

The nave and aisles of Constantine's Basilica (the Old St. Peter's Basilica) in Rome were 118 meters long. They can be seen in a fresco by Domenico Tasselli formerly in the Vatican Grottoes. The fresco has been detached and is now in the sacristy of the basilica. It was painted before the nave and aisles were destroyed, and shows the wall that Sangallo the Younger built in 1538 to separate this area from the transept of the new basilica under construction.

 

177 Innocentius III

1198-1216

              

The 13th c. opens with the pontificate of Innocent III, one of the most imperialistic popes ever to rule. The popes, following the principles of Gregory VII, had by this time become nonpolitical presidents and effective heads of Western Christendom. Since the papal blessing was the surest way to guarantee title to temporal rule, the local princes found it expedient to submit to the popes. The early death of the emperor Henry VI gave Innocent III a relatively free hand in dealing with the empire; indeed he was able to enforce his policies throughout western Europe.

The territory of the church had been repeatedly guaranteed by Pepin the Short and by several emperors without the consequences being drawn from it. Innocent III invoked these imperial treaties with Otto IV. (Otto 2 VI. 25 pp. 431 ff. For the so-called Ottonianum dated 13.II.962, which is such a privilege.)

Innocentius III could gain a great diplomatic success in the struggle between the two pretenders for the Imperial title in a memorable document promising him large territories in Italy:

 ..In the memorable document […] the content being conjured up by him (= Otto IV) on the day of his election, 9 June 1198. For he unreservedly recognized not only the rights of the Church to the patrimony and the estate of Countess Mathilde, but also her alleged rights to all those central Italian imperial lands in which she had endeavored to assert her sovereignty since the Emperor's death. He gave the exarchate of Ravenna, the Pentapolis, the Mark Ancona and the Duchy of Spoleto to the church, and in fact promised his help to recapture and assert them. With regard to the Lombard and also the Tuscian League of Cities, which the Pope was just about to take under his direction, he wanted to follow his advice and commands as he testified to his own obligation to obey. At last he expressly recognized the feudality of the Church over Sicily. [11]) In the years 1201-13, Innocent also recaptured on his own the areas that were lost in the 10th and 11th centuries and made a new conquest in the Duchy of Spoleto

. In the midst of the conflict between the Hohenstaufen and the Welfs the fourth crusade was launched.. When the crusaders captured Constantinople (1204) a Latin patriarchate was erected and for a short time the Roman primacy over Constantinople became a reality.

Furthermore, Bulgaria (1204) and England (1213) were made feudal dependencies of the papacy, and papal suzereignty over Portugal was reaffirmed.

The fourth Lateran council (1215), the high point of Innocent’s reign, stressed the solidarity of the Christian peoples, condemned heresy and introduced the episcopal Inquisition. [....]

Innocent III died suddenly in 1216.

 

The Holy See (LatinSancta Sedes, Ecclesiastical Latin:  also called the See of Rome, is the jurisdiction of the Bishop of Rome, known as the pope, which includes the apostolic episcopal see of the Diocese of Rome with universal ecclesiastical jurisdiction of the worldwide Catholic Church, as well as a sovereign entity of international law, governing the Vatican City.

Founded in the first century by Saints Peter and Paul, by virtue of Petrine and papal primacy according to Catholic tradition, it is the focal point of full communion for Catholic Christians around the world. As a sovereign entity, the Holy See is headquartered in, operates from, and exercises "exclusive dominion" over the independent Vatican City State enclave in Rome, of which the pope is sovereign. It is organized into polities of the Latin Church and the 23 Eastern Catholic Churches, and their dioceses and religious institutes.

 

Under Innocent III a new banner appears, depicting the two parallel keys of St. Peter. In addition to being depicted on a mosaic in ancient St. Peter's, the banner was also described in a 1204 letter to Tsar Kaloyan: pretendit autem non sine mysterio crucem et claves, quia Beatus Petrus Apostolus, et crucem in Christo sustinuit, et claves a Christo recepit. According to the mosaic, this should be translated as red, two parallel white keys on a Greek processional  cross.

During the reign of Innocent III, the symbolic presentation of the Eastern and Western emperors was also changed.

The parallel keys occur sometimes together with the same in saltire. An early example is on a stained window in York Minster but in the course of time  . In 1267 the keys appear crossed at the Papal Palace in Viterbo and afterwards both the papal coat of arms and the papal banner are red with two silver crossed keys.

During the popes' stay in Avignon, a new banner and coat of arms appear in the Papal States. Initially it appears to have been red with a white cross between four keys. Not long after that appears: red, a white cross between four pairs of crossed keys. The successor of this coat of arms is again the coat of arms with the crossed keys and this has remained the coat of arms and the flag of the ecclesiastical state until 1870.

 

Innocentius III and the Church on an absidial mosaic in Old St. Peter’s

From: Ciampini: De Sacris aedificis. Rome, 1693

 

Depicted are God’s throne with a latin cross and a paschal lamb in front with a chalice, and Pope Innocentius III and an Emperor, probably Otto IV (1209-1211) with the banner of the Ecclesia Romana: Gules two parallel keys Argent, tied.

 

In the upper register are the effigies of Christ between St. Paulus and St. Peter.

 

The Apostolic Chamber

 

 

The Apostolic Chamber (Camera Domini Papae) is the subdivision of the Roman Curia which administers the assets of the Apostolic See during the period of vacancy. It is currently made up of the cardinal chamberlain and the vicechamber.

It was erected in the 11th century

For several centuries it was the financial body of the papal administrative system; it was equally important both in the government of the Church States and in the administration of justice.

The Apostolic Chamber is a different body from the treasury of the chamber of the sacred college, chaired by the cardinal "chamberlain of the sacred college of cardinals" (Camerarius Sacri Collegii Cardinalium ). It had the responsibility of the common incomes of the college of cardinals , and appears among the curial institutions born after the end of the thirteenth century, but has ceased to exist for a long time.

 

For a long time the parallel keys were the emblem at the Sede Vacante.and printed on coins

 

Sede Vacante 1257

 

Keys of the Ecclesia

Sede Vacante 1268-1271

Ecclesia

 

Sede Vacante 1334

Ecclesia

 

 

Colonna Santa, St. Peter’s 1438

 

 

Ecclesia Sti Petri (1459)

 

eclesia sti petri

Armorial of St Gallen 1466-‘70

 

Eclesia sanctti petry

Grünwald Book of Arms, 1470ca

 

Das Wappen damit petters das ersten pauste

Jörg Rugen Wappenbuch ca. 1492

 

1523-1534

 

Virgil Solis, 1555

 

Apocryphic 16th cent.

[Eugenius III 1145-‘53]

 

1591

[Gregorius VII 1073-‘85]

 

At the end of the 16th century the arms with the paralel keys disappears and the arms with the keys in saltire remains.

 

 

The Pavilion

 

 

Another emblem of the Papacy is the umbrella shaped pavilion, the padiglione or ombrellino S. Conopeum which in combination with the crossed leys is considered to represen the temporal power of the Roman Catholic church.

It appears in the 12th century frescoes in the SS. Quatro Coronati in Rome:

 

 

Scene 7. Frederik Barbarossa has put his crown back on and leads the horse on which the now also crowned pope is seated. This is the representation of the strator service, which was thus only provided after that Frederick had been crowned imperial. He is preceded by his squire or connêtable carrying his sword. Behind the pope a number of mitered prelates and a servant holding the ombrellino over his head. This would be a scene where the company passes through the Silver Gate

 

The tiara and the pavilion bet ween the arms of Boniface VIII and of his mother

Anagni Cathedral

 

 

The pavilion

In the Chronik des Konzils zu Konstanz

 

The arms of the Papacy crested with the pavilion, together with the arms of Pope Martinus V (1417-‘31)

Frontispiece of the Statutes of the Drapers Guild.

(Museo Civico, Bologna Galbreath fig 54)

 

 

The Apostolic Chamber (continuation)

 

At the same time an emblem consisting of a pavilion charged with the keys in saltire appears on the façade of St. John Lateran. This emblem turns out to be the emblem of the Apostolic Chamber, which administers the Holy See during the Sede Vacante and thus can be considered the emblem of the Holy See replacing the parallel keys of an earlier period.

 

The emblem was used until the abolition of the Papal State in 1870.

 

Photo H.d.V, 2010

Façade of  the Archbasilica of Saint John Lateran (1588)

 

1802

 

1819

 

1825

1846

 

Flag of the Financial Service (customs) vessels

Parted of yellow and white. On the yellow, the words SERVIZIO DI FINANZA; on the white, umbrella and keys, accompanied by the letters R.(everenda) C.(amera) A (postolica); proportions 3: 4

 

Nowadays the crossed keys and the pavillion of the camerlengo and Curia are replaced by the arms of the Vatican State

 

The crossed Keys

 

The Papal State (its official name (until 1815 also called Ecclesiastical State) was the state entity made up of all the territories over which the Holy See exercised its temporal power from 751 or 756 to 1870, or more than a millennium. It was governed by a theocracy led by the Pope as a religious, political and military guide. During its existence it had periods in which its prestige and influence on the European political chessboard were remarkable; his international projection went beyond the territorial limits that historical circumstances had assigned him in relation to the Holy Roman Empire. The vassal constraints dictated by the Holy See sometimes conditioned important independent states such as the Kingdoms of Sicily, of Naples, of England, of France, the Kingdom of Spain, the Kingdom of Portugal, the Crown of Aragon , the Kingdom of Hungary, the Austrian Empire and other states. It ended its existence in 1870, after the annexation of three legations to the Kingdom of Italy, with the events that followed the end of the Second Italian War of Independence and the expedition of the Thousand (1859 - 1861) and with the capture of Rome and the subsequent annexation of the fourth legation and the district of Rome (1870)

 

The Holy See is administered by the Roman Curia (Latin for Roman Court), which is the central government of the Catholic Church. The Roman Curia includes various dicasteries, comparable to ministries and executive departments, with the  Cardinal Secretary of State as its chief administrator. Papal elections are carried out by the College of Cardinals.

Although the Holy See is sometimes metonymically referred to as the "Vatican", the Vatican City State was distinctively established with the Lateran Treaty of 1929, between the Holy See and Italy, to ensure the temporal, diplomatic, and spiritual independence of the papacy.As such, papal nuncios, who are papal diplomats to states and international organizations, are recognized as representing the Holy See not the Vatican City State, as prescribed in the Canon law of the Catholic Church. The Holy See is thus viewed as the central government of the Catholic Church.[7] The Catholic Church, in turn, is the largest non-government provider of education and health care in the world.[8] The diplomatic status of the Holy See facilitates the access of its vast international network of charities.

The Holy See maintains bilateral diplomatic relations with 172 sovereign states, signs concordats and treaties, and performs multilateral diplomacy with multiple intergovernmental organizations, including the United Nations and its agencies, the Council of Europe, the European Communities, the Organization for Security and Co-operation in Europe, and the Organization of American States.

 

179 Gregorius IX      

1227-1241

 

Foto Flickr

Coloured Arms of the Papacy [12]

 

Painted window in York Minster (Peter the Dene window). On this window the coats of arms of the Pope, the emperor and of eight kings, that is to say: of England, France, Germany, Castile&Leon (1230/’37), Jeruzalem and Navarre are  depicted.

The first arms after the arms of the pope (Gules, two keys in saltire Or) is yellow with a two-headed eagle and can be considered to be of Emperor Frederick II (D.: 1237-’50).

 

 

Battle between Frederick II and Gregory IX, 1241

By Giovanni Villani, Nuova Cronica (1300-1348)

 

At the stern the flag of the Papacy: Red, two yellow keys in saltire

 

181 Clemens IV

1265-1268

 

Crossed key on Viterbo Papal Palace, 1267

(Galbr. fig. 10 & 11)

 

Clemens V*

1305-1314

 

Papal residence in Avignon 1309-1367

 

1314: Two keys in saltire (Sassovivo near Foligno. Galbr. fig. 15)

Papal arms

 

Johannes XXII*

1316-1334

 

1316-'34: In Avignon: Two keys in saltire (Galbr. fig. 202)

The arms of the church and John XXII

from a stone carving (the roundels omitted)

Coll Galbreath

1319: Seal of the auditor curie  camere domini pape

Arms of the papacy and of Pope John XXII (Galbr. fig. 16)

 

Papal States in Italy

1305-1394

 

When the papal residence was transferred to France the arms of the Papacy were taken to France too. In Italy the coat of arms for the remaining territories without head of state was changed. It became Gules, a cross between four keys upright Argent and later: Gules, a cross between four pairs of keys in saltire tied with a cord Argent. These arms disappeared when the papal residence returned to Rome.

 

Flag of the Papal States in Italy

On the original grant in Viterbo Library (Galbr. fig.3)

 

1316: In Italy: Gules, a cross between four keys Argent (ensign bearer (Viterbo): a crowned lion passant guardant).

 

* In 1316  Bernardo di Cucuiaco (or Cucujaco), then freed by the Viterbesi from the siege to which the Guelphs of Orvieto had forced him in Montefiascone,  in gratitude gave them the privilege of adding to the lion and palm of the flag of the Municipality the papal banner. In the original of the diploma, dated 11 March 1316, preserved in the municipal historical archive, there is the color drawing of that flag; the drape has a red background completely crossed by a white cross, with four white keys juxtaposed in the four corners. A crown is then drawn on the lion's head. [13]

 

Arms of Gubbio, of the church and of Robert of Anjou

Above the entrance of the Palazzo dei Consoli in Gubbio (1332-’36).

 

Coat of arms of the Papal States in Italy

 

1332-'36: In Italy: Gules, a cross between four pairs of keys in saltire tied with a cord  [Gubbio, Perugia, Assisi, Umbria,  Stato. della. Chiesa] (Galbr. Fig. 4)

 

1362: In Italy: Gules, a cross between four pairs of keys in saltire tied with a cord  [Bologna, Romagna, Stato. della. Chiesa.] (Galbr. Fig. 5)

 

The arms of Pope  and the achievement of the Papal state in Itatly (1355-’57)

 

Cardinal Albornoz and Cavalry and banners of the Papal State in Italy (1355-’57)

Pope Innocentius VI (1352-1362)

Requests of Cardinal Aegidius Albornoz, ca 1355-1357 Arm. XXXV, 20, fol. 6v-7r

 

Nicolas V

1328-1330

 

Arms of Nicholas V

Ms Vat. lat 385

 

Nicholas V, born Pietro Rainalducci (c. 1258 – 16.10.1333) was an antipope in Italy from 12.05.1328 to 25.07.1330 during the pontificate of Pope John XXII (1316–1334) at Avignon. He was the last antipope set up by a Holy Roman Emperor.

 

 

Innocentius VI*

1352-1362

 

1352-'62: In Smyrna: Two keys in saltire tied with a cord. Crowned with a papal tiara (Galbr. fig. 21)

 

Heraldic stone from Smyrna:

Arms of Heredia, the Order of St. John, the Papacy, Alemagna, Baux and Caracciolo

(Izmir Archaeological Museum Also: The Annual of the British School at Athens, XVII. Galbreath fig 37).

 

199 Urbanus V*

1362-1370

 

Foto H.d.V. 3.V.2205

Arms of the Papal State in St. John Lateran Monastery,  1362

 

Arms:  [Gules] two keys in saltire tied with a cord [Argent]

Crown: A quasi ducal crown of leaves

 

 

Sanctus Petrus 1370

 

201 Urbanus VI

1378-1389

1378-1410: In Bourges: Cathedral

 

Bourges Cathedral, rose window Grand Housteau

end 14th cent.

 

Arms: Gules wo keys in saltire Argent (Galbr. fig 39)

Crown: Tiara

 

In 1417, on the death of Bishop Jacopo, who was a partisan of Pope John XXIII, the clergy wished to proceed to the election of a new bishop, but the people prevented them, proclaiming as bishop Nicolò Vivari, the nominee of Pope Gregory XII. Again in 1433 the clergy wished to revive their right of electing a bishop, but the intervention of Pope Eugenius IV prevented them.

 

 

Papal States. Calixtus III gold Zecchino (Florin of 24 Sols) ND (1455-58) VF Details. A rare gold coin from the fleeting reign of Calixtus III, featuring an ox above crossed keys and the reverse motif of a tiara. Despite being removed from jewelry, this coin is struck on a full flan, with readable legends, and attractive, antiqued patina. Listed by both Friedberg and Berman as "Rare," this is an offering that is almost never seen in the marketplace and as such, worthy of a strong bid.

 

216- 1458

 

Spoleto

1464-1471

 

Gules, two  keys in saltire Argent and a cord Azure (Avignon) (Galbr. fig. 59)

 

 

1548: Two keys in saltire,  a cord and a tiara

 (Galbr. fig. 45)

 

Achievement of the Papal State

By Martin Schrot, 1581

 

Arms: (Gules) Two keys in saltire Or and Argent tied

Crown: Papal tiara

Supporters: A.: a sword and a proceccional cross in saltire. B. St. Pter and St. Paul

 

L.: Der schild roth/ die schlüssel weiß/ die cron blaw unnd goldfarb abgesetzt/ der zweier apostel kleidung wie man will/ auff das schönest. (Martin Schrot: Wappenbuch, 1581). 

 

Pope of Rome (after 1417)

 

Repubblica Romana

1798-1799

 

The Roman Republic (Italian: Repubblica Romana) was proclaimed on 15 February 1798 after Louis-Alexandre Berthier, a general of Napoleon, had invaded the city of Rome on 10 February. The Roman Republic was one of the Italian "sister republics" of Revolutionary France. It was placed under the French Directory and was composed of territory conquered from the Papal States. Pope Pius VI was exiled to France and died there in 1799. It immediately took control of the other two former-papal revolutionary administrations, the Tiberina Republic and the Anconine Republic. The Roman Republic was short-lived, as the Papal States were restored in October 1799.

 

Arms of the Roman Republic, year VI (1799) [14]

 

Arms: A Roman eagle, wings spread, standing on a fasces entwined with red, white and blue ribbons surrounded with a green crown of oak

Motto: repubblica romana on a red ribbon

 

Obverse

 

ANNO 1799. First Roman Republic, 1798-1799. Medal or silver project for the weight of the Scudo A. VII 1st type (Ex Varei 12-11-2010, N. 834). 24.68, g. Silver. Æ 39 mm. Eagle with spread wings facing left, within a laurel wreath, placed on an altar above a lictor bundle; on a cloth,  REP ROMANA; on the altar: Phrygian cap and swords. Rv. GIORNO CHE VALE DI TANTI ANNI IL PIANTO. LIBERTA'/ ROMANA 27 / PIOVOSO. (Day that is planted for many years Roman. freedom / 27 Pluvial.) Inscription arranged on four lines. [Page 3; CNI 14; Davenport 1485. Very rare. FDC][15]

 

Reverse

 

Seal 1798 [16]

 

Figure: Virgin with fasces and stake with phrygian cap,

Caption: REPUBLICA ROMANA

Shield: supported by fasces with phrygian cap and surrounde by garland of leaves of laurel

 

Papal States

1799-1809

 

Pius VII

1800-1809

 

 

Empire Français

1809-1815

 

Département Tiber / Rome

Dept. Tiber 1809

 

Arms: Azure, the Capitoline she-wolf and Romulus and Remus, and  a  base Argent the letters SPQR Sable; and a chief Gules three bees Or.

 

Rome was a department of the First French Empire. The department was formed on 15 July 1809 when the Papal State was annexed by France. A second department was also formed, Trasimène, named after Lake Trasimeno.

The department of Rome was originally called the département du Tibre (after the river Tiber) but was renamed « département de Rome. » on 17 February 1810, the prefecture (capital) of the department. The department was first administered by the French general Miollis, but after a short time he was replaced as governor by Count Camille de Tournon.

Napoleon considered Rome the second capital of his empire (after Paris) and determined that future emperors would be crowned in both Paris and Rome. Following the conquest of the Eternal City, Napoleon conferred the honorary title "King of Rome" on his son and heir to the throne, Napoleon II. During the Napoleonic period, Rome was first provided with street lighting and a fire department. The Inquisition was abolished and Jewish residents were given civil rights and allowed to move out of the ghetto again.

Rome was made up of the arrondissements in 1812: Rome Frosinone Rieti Tivoli Velletri Viterbo

The department was disbanded after the defeat of Napoleon in 1814. At the Congress of Vienna, the Papal States were restored to Pius VII. Its territory corresponds approximately to the modern Italian region of Lazio.


Rome
 (Rome)

Flag of France.svgD'argent à la bande de sable chargée d'une louve couchée allaitant deux jumeaux qu'elle semble regarder avec affection, au chef de gueules chargé de trois abeilles.[34]


Flag of Italy.svgArgent su una striscia di sabbia adagiata a capo di una lupa che allatta due gemelli che sembra guardare con affetto, il capo di rosso tre api.

 

[Pius VII 

1809-1815]

 

Stato della Chiesa  /  Stato Pontificio

1815-1870

 

Pius VII

1815-1823

 

1819

 

Leo XII

1823-1829

 

Pius VIII

1829-1830

 

Provincie Unite Italiane 

08.02.1831-1831

 

Stemma del Governo delle Provincie Unite

 

Designo dello stemma delle Provincie Unite, adottato con deliberazione dell’Assemblea dei Notabili 1° Marzo 1831 - appartenuto a Giovanni Vicini. (Legato dell’ avo. Gustavo Vicini).

Museo Civico del I e II Risorgimento, Bologna

 

Coat of arms of the Government of the United Provinces, Watercolor. The coat of arms, designed in the early days of the insurrection, borrowed symbols and allegories typical of the French Revolution: in fact, the tricolor fasces refer to it, symbol of the union that gives strength, on which the eagle rests the talons, and the Phrygian cap crowning the shield, symbol of the revolt against slavery and oppression.

 

Arms: Or, an eagle sejant proper on a bundle of rods and two axes, the uppermost with its blade upwarts, the one underneath with its blade downwards, bound together in the usual way with ribbons of the national colours per fess Gules, Argent and Vert.

Crest: A phrygian cap Gules.

The shield is within a cartouche Gules and Argent, surrounded by some green foliage.

 

The advent of the constitutional monarchy of Louis Philippe in France marked the beginning of liberal uprisings in every part of Europe. [....]

A Provisional Government was appointed in Bologna, made up mostly of moderate men, such as Zanolini (whose memories are preserved). However, the very force of things gave his action a revolutionary character. One of his proclamations of 8 February 1831 stated that "the temporal dominion that the Pope has exercised over this city and province has ceased in fact, and forever by right".

The insurgent territories of the Papal State united, forming the Government of the United Provinces, and aimed at the conquest of Rome.

But the Austrians intervened. In the battle of Rimini they were rejected, but surrender was signed anyway. " (Civic Museum of the I and II Risorgimento, Bologna, inaugurated 1893)

 

Gregorius XVI

1831-1846

 

Repubblica Romana

1848-1849

 

The Roman Republic (Repubblica Romana) was a short-lived state declared on 9 February 1849, when the government of the Papal States was temporarily replaced by a republican government due to Pope Pius IX's flight to Gaeta. The republic was led by Carlo ArmelliniGiuseppe Mazzini, and Aurelio Saffi. Together they formed a triumvirate, a reflection of a form of government in the ancient Roman Republic.

 

 

 

 

Wapen: Een adelaar, gezeten op een fasces van goud

Krans: Gouden eiketakken

Motto: legge forza geschreven op de uiteinden van het lint waarmee de krans is samengebonden.

(Bologna, Museo Civico del I e II Risorgimento. Hier is het wapen aangebracht op een blauwe ondergrond. Munten uit 1849 van de Republiek)

 


Flag

 

Green, white and red, in the white the eagle of the republic, and the portrait of Garibaldi. Motto. In the corners the initials S.P.Q.R

 

Stato della Chiesa

1849-1870

 

Gold medal with emblem within crwon of laurel

 

On the reverse: PIVS IX · PONT MAX · ROMAE RESTITVTVS CATHOLICIS ARMIS COLLATIS AN  · MDCCCXIX·

 

Pius IX

1849-1870

 

Arms W.: Rood, een zilveren sleutel, gekruist met een gouden sleutel. Het schild gedekt met de pauselijke tiara en geplaatst op de sleutels van het wapen. (Larousse Illustré)

 

Kingdom of Italy

1870-present

 

Stato della Citta del Vaticano

1929- present          

 

Constitution of Vatican City. 07.06. 1929

 

§ 19

1. The flag of Vatican City is constituted by two fields divided vertically, a yellow one next to the staff and a white one, and bears in the latter the tiara with the keys, all according to the model which forms attachment A of the present Law.

 

2 The coat of arms is constituted by the tiara and the keys, according to the model whic forms attachment B of the present Law.

 

           

3 The seal of the state bears in the centre the tiara with the keys and around it the words stato . della . citta . del . vaticano, according to the model which forms attachment C to the present Law. [17]

 

 

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 © Hubert de Vries

 

 

 



[1] Probably painted by Alberto Sotio, author of : IX/1 Martirio dei santi Giovanni e Paolo (Martyrdom of Saints John and Paul) Alberto Sotio (?) detached fresco, XII century, end cm 168 x 238.Spoleto, church of the Saints John and Paul of the same style. Today: Museo Nazionale del Ducato di Spoleto.

[2]  Die gemäßigte kaiserliche Richtung, die eine Gleichordnung der beiden Gewalten anerkannte, wie sie auch der Sachsenspiegel annimmt (Ldr. I), hat dem Papste gewisse Ehrenvorrechte eingeräumt, so den Anspruch auf den Fußkuß (Proskynese) sowie den Zügfel- und Bügeldienst (Marschalldienst, officum stratoris et strepæ, Führen des Pferdes am Zügel auf Steinwurf- oder Pfeilschußweite, Festhalten des Steigbügels beim Auf- und Absitzen des Reiters), der erstmalig von Pippin im Jahre 754 Papst Stephan II. geleistet worden war, und den die Kurie seit dem 12. Jahrhundert als herkömmlich vom Kaiser forderte. Dieser sog. Marschalldienst konnte in lehnrechtlichem Sinne gedeutet werden, zumal nach deutschem Lehnrecht das Halten des Steigbügels des Lehnsherrn durch den Vasallen zu dessen lehnrechtlichen Obliegenheiten gehörte (Ssp. Lehnr. art 66 § 5, und überdies die führenden Kanonisten des 13. Jahrhunderts den Kaiser als Vasallen des Papstes ansahen. Deshalb hatte wohl auch Friedrich I. Barbarossa bei seiner Begegnung mit Papst Hadrian IV. in Sutri im Jahre 1155 zunächst verweigert, dem Papste außer dem Fußkuß auch den Zügel- und Bügeldienst zu erweisen. Auf grund eines Spruches des königlichen Hofgerichtes leistete Friedrich Barbarossa beide Dienste nachträglich. Demgemäß ließ sich der Papst im Frieden von Venedig 1177 vom Kaiser vertraglich zusichern, daß der Kaiser dem Papste den geschuldeten Ehrendienst leisten werde wie er herkömmlich von seinen Vorgängern den Päpsten geleistet worden sei (c. 1. MGHConst. I. 362). Der Bügeldienst des Kaisers gegenüber dem Papste hat im Sachsenspiegel Anerkennung gefunden, ohne daß dabei auf die lehnrechtliche Bedeutung des Dienstes Bezug genommen wird (Ldr. I. 1).

[3]  Simonsfeld, Henry: Jahrbücher des Deutschen Reiches unter Friedrich I. Leipzig, 1908. Pp. 269-341.

[4] Galbreath, Donald Lindsay: Papal Heraldry. Second edition revised by Geoffrey Briggs. Heraldry Today. London, 1972, geeft op p. 58 een lijstje van de vexilliferi vanaf 1059 tot 1622.

[5]  The Alexiad of the Princess Anna Komnena. Being te history of the reign of her father Alexius I, Emperor of the Romans 1081-1118 AD. Trans. by Elizabeth A.S. Dawes. London, 1967. Book X, Ch.VII, p. 253.

[6] Galbreath, D.L.: Papal Heraldry. London 1972, p. 2. De betreffende tekstverwijzing bij G. luidt: Cam-bridge Medieval History, V. 47.; Gregorovius, Geschichte der Stadt Rom im Mittelalter. Stuttgart & Berlin, 1908. IV. 147 with reference to *Acta Sanctorum, June 27, p. 291.

[7]  Manaresi, C.: Gli Atti del Commune di Milano, fino all’anno mccvi. De stad werd in 1157 door Frederik Barbarossa veroverd en met de grond gelijk gemaakt. Op de top van de gevel van de dom werd een adelaar geplaatst als teken dat de stad in keizerlijke (=  koninklijke) handen was. Zie ook Gall, p. 39. : Der 1158 den Mailändern aufgezwungene Adler gehörte wohl noch in die älteste Kategorie der Giebeladler.

[8]  Ebulo, Petrus de: Liber ad Honorem Augusti sive de rebus Siculis. Cod. 120 II Burgerbibliothek Bern. fol. 109.

[9]  Kapitel III, 1198. p. 88.

[10]  Openb. 5. 6: En ik zag in het midden van de troon en van de vier dieren en te midden der oudsten een lam staan, als geslacht, met zeven horens en zeven ogen; dit zijn de zeven Geesten Gods, uitgezonden over de gehele aarde. 7 En het kwam en heeft (de rol) aangenomen uit de rechterhand van Hem, die op de troon gezeten was. 

[11]  Kapitel III, 1198. p. 88.

[12] These arms are also on a sketch of the window from Dugdale’s Church Notes (1666). (Coll. Arms, Dugsdale’s Yorkshire Arms, fol. 96c).

[13] 5. In 1315 the flag was given to the city of Viterbo who is supported by the lion, with the white cross on a red background and with decussed keys. The vermilion cloth itself appears as a reminder of the imperial concession because it referred to the color of the Ghibelline faction. The Flag of the Church has discordant origins depending on whether the chronicles were written or oral: according to the chronicler Lancillotto, Clement III, to reward the Viterbesi who had freed two cardinals from the outrages of Count Aldobrandino, driving them back to Montefiascone, donated to the lion of the Municipality the flag with the keys; other chronicles tell us that Bernardo de Coucy for the help offered by the city and its militias granted the honor of having the flag of the Church: white cross on a red field with the keys of St. Peter in the quarters. In this way the Lion also proudly carried this banner. 

In a diploma preserved in the municipal historical archive there is a color drawing of that flag: the flagpole is not surmounted by the imperial eagle; the drape has a red background completely crossed by a white cross, with four white keys juxtaposed in the four corners. On the head of the lion is then drawn a crown, of unknown origin, an assumption by eighteenth-century scholars is the one that indicated the ancient legendary Etruscan principality enjoyed by the city. white cross on a red field with the keys of St. Peter in the quarters. In this way the Lion also proudly carried this banner. 

http://www.annazelli.com/viterbo-stemma-araldico-di-viterbo.htm#:~:text=Sembra%20che%20dal%201172%20lo,legato%20al%20mito%20del%20dio

[14] Le Stemma della Reppublica Romana. In Roma, anno VI Frontispiece

[15] Also: ANNO 1799. Prima Repubblica Romana, 1798-1799. Medaglia o progetto in argento del peso dello Scudo A. VII 2° tipo (Ex Bassani Conv. Riccione 1997). Ag gr. 22,75 mm 42 Dr. Aquila ad ali spiegate volta a s., entro corona di quercia, posata su ara sopra fascio littorio sovrapposto a due bandiere decussate, una bandiera recita: REPVBLICA ROMANA; sull'ara, cappello frigio e spada; sulla linea di esergo, T M. Rv. GIORNO CHE VALE DI TANTI ANNI IL PIANTO. LIBERTA'/ ROMANA / XXVII / PIOVOSO / AN VII. Iscrizione disposta su sei righe; sopra, cappello frigio; sotto, TM in monograma. Pag. 4; CNI 13; Davenport 1484 Rarissimo. q. FDC

[16] Leggi relative alla costotuzion della Reppublica Romana Anno VI Reppubllicano (1798)

[17]  Neubecker, O: Die neuen Hoheitszeichen der Stadt des Vaticans. In: DDH. 1931 p. 86. Replaced by Fundamental Law of 22 February 2001, art 20.   

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